A24 films
- Everything Everywhere All at Once
- The Green Room
- Midsommar
- Death of a Unicorn
- Hereditary
- The Whale
- Heretic
- Civil War
- Tusk
- Uncut Gems
Next up:
Films with people drinking 'way too much
- The Thin Man (1934)
A24 films
Next up:
Films with people drinking 'way too much
Films with people drinking 'way too much
Films with people drinking 'way too much
Films with people drinking 'way too much
Films with people drinking way too much
Films with people drinking way too much
Fred Astaire’s character loses his girl, overindulges, and then falls of the stage during his dance performance, never to dance again.
Films with people drinking way too much
Films with people drinking way too much
Films with people drinking way too much
Films with people drinking way too much
My category; pass.
Films with a distinctive visual style
(or, maybe, at least distinctive at the time they were released; the filmmakers can’t help it if someone comes along later and imitates them)
Films with a distinctive visual style
(or, maybe, at least distinctive at the time they were released; the filmmakers can’t help it if someone comes along later and imitates them)
Not only was it the first feature-length animated film, the development of the multi-plane camera gave it a depth and style that nobody had ever seen in any animation before.
Films with a distinctive visual style
(or, maybe, at least distinctive at the time they were released; the filmmakers can’t help it if someone comes along later and imitates them)
Emblematic of Wes Anderson’s style: symmetrical framing of shots, whip pans and tracking shots, a pastel color palette, and intricately detailed sets.
Films with a distinctive visual style
(or, maybe, at least distinctive at the time they were released; the filmmakers can’t help it if someone comes along later and imitates them)
Although the “found footage” technique had been in use at least a decade prior to this film, it is credited with having kicked off a renaissance that has been employed by successive filmmakers to this day.
Films with a distinctive visual style
(or, maybe, at least distinctive at the time they were released; the filmmakers can’t help it if someone comes along later and imitates them)
Scifi movies before Lucas looked sleek and polished. Afterwards, not so much.
Films with a distinctive visual style
(or, maybe, at least distinctive at the time they were released; the filmmakers can’t help it if someone comes along later and imitates them)
Set in a big, nameless city where it’s forever night, and where buildings writhe and change while everyone sleeps. A perfect mix of noir and sf.
Films with a distinctive visual style
(or, maybe, at least distinctive at the time they were released; the filmmakers can’t help it if someone comes along later and imitates them)
The background setting of sharp angles and painted shadows lent a sense of unease and dread to the overall story.
Films with a distinctive visual style
(or, maybe, at least distinctive at the time they were released; the filmmakers can’t help it if someone comes along later and imitates them)
Very grand, arthousey style; the setting is a fancy restaurant in modern-day London modelled after something out of a Dutch Master’s painting, even the kitchen.
Films with a distinctive visual style
(or, maybe, at least distinctive at the time they were released; the filmmakers can’t help it if someone comes along later and imitates them)
Done mostly in bright primary colors, to imitate the comic strip.
Films with a distinctive visual style
(or, maybe, at least distinctive at the time they were released; the filmmakers can’t help it if someone comes along later and imitates them)
Shot digitally and then traced with interpolated rotoscope, to give it half way between animated and live action feel.
Movies you’ve never watched all the way through but have seen enough pieces of it you might as well have.