I started a reply to this the other day, but my PC crashed while composing it and I never got back to it.
While I’m just old enough to remember Dr. Buzzard’s Original Savannah Band’s “Cherchez le Femme/Se Si Bon” I wasn’t really old enough to appreciate it or to have heard the rest of the album at the time. I did greatly enjoy August Darnell, Stony Browder, and Andy Hernandez’s later efforts as Kid Creole and the Coconuts, especially the first two albums, Off the Coast of Me and Fresh Fruit in Foreign Places; how could you not like songs like “Mister Softee” and “(Dario) Can You Get Me into Studio 54?”. Fresh Fruit was probably a better album overall, but wasn’t really laugh-out-loud funny.
To second some other nominations: The Bonzo Dog Doo-Dah Band’s Gorilla (especially “The Intro and the Outro”); The Bonzo Dog Band’s Urban Spaceman (UK title: The Doughnuts in Granny’s Greenhouse) was also brilliant, especially “Trouser Press” and “Can Blue Men Sing the Whites?”. Though I don’t know how much you’ll be dancing as you listen. And of course They Might Be Giants are almost always amusing and often incredibly funny, not just lyrically but musically as well.
In another vein, I loved the Snuff Rock EP by Alberto y Los Trios Paranoias, which was a brilliant parody of British punk rock from its early days, with a little reggae thrown in for good measure. Songs included “Gobbing on Life”, “Kill”, and “Snuffin in a Babylon”. They also did a wonderful skewering of Status Quo with “Heads Down No Nonsense Mindless Boogie”
Atlanta’s own The Coolies’ first album, dig…? was entirely made up of Simon and Garfunkel covers in highly inappropriate styles (including a transcendent surf-rock instrumental version of “Mrs. Robinson”), along with a cover of Paul Anka’s “Having My Baby” that puts an unprecedented spin on it. Their second effort, Doug, was a rock opera about a skinhead who beats to death a transvestite fry cook, then becomes a millionaire when he publishes the cookbook he stole from the cook, only to descend back into paranoia, substance abuse, and poverty. It includes truly inspired pastiches and parodies of The Who, R.E.M. and the Replacements, Led Zeppelin, zydeco, and others.
No thread like this would be complete without a mention of The Rutles’ All You Need is Cash and Spinal Tap’s This is Spinal Tap.