Oscar season 2012 has begun!

Damn, Affleck didn’t get the B. Director nomination, nor did Bigelow for ZD30…

Interesting.

Is Quvenzhané Wallis the youngest nominee ever?

I don’t know about “ever”, but they mentioned she was the youngest for this category.

The kid from Kramer vs. Kramer was 8 when he was nominated.

Best Picture
Amour
Argo
Beasts of the Southern Wild
Django Unchained
Les Miserables
Life of Pi
Lincoln
Silver Linings Playbook
Zero Dark Thirty

Best Actor
Bradley Cooper, Silver Linings Playbook
Daniel Day-Lewis, Lincoln
Hugh Jackman, Les Miserables
Joaquin Phoenix, The Master
Denzel Washington, Flight

Best Actress
Jessica Chastain, Zero Dark Thirty
Jennifer Lawrence, Silver Linings Playbook
Emmanuelle Riva, Amour
Quvenzhane Wallis, Beasts of the Southern Wild
Naomi Watts, The Impossible

Best Supporting Actor
Alan Arkin, Argo
Robert De Niro, Silver Linings Playbook
Philip Seymour Hoffman, The Master
Tommy Lee Jones, Lincoln
Christoph Waltz, Django Unchained

Best Supporting Actress
Amy Adams, The Master
Sally Field, Lincoln
Anne Hathaway, Les Miserables
Helen Hunt, The Sessions
Jacki Weaver, Silver Linings Playbook

Best Director
Michael Haneke, Amour
Ang Lee, Life of Pi
David O. Russell, Silver Linings Playbook
Steven Spielberg, Lincoln
Benh Zeitlin, Beasts of the Southern Wild

Best Original Screenplay
Amour, Michael Hanake
Django Unchained, Quentin Tarantino
Flight, John Gatins
Moonrise Kingdom, Wes Anderson and Roman Coppola
Zero Dark Thirty, Mark Boal

Best Adapted Screenplay
Argo, Chris Terrio
Beasts of the Southern Wild, Lucy Alibar and Benh Zeitlin,
Life of Pi, David Magee
Lincoln, Tony Kushner
Silver Linings Playbook, David O. Russell

Best Animated Feature:
Brave
Frankenweenie
ParaNorman
The Pirates! Band of Misfits
Wreck-It Ralph

Best Cinematography
Anna Karenina, Seamus McGarvey
Django Unchained, Robert Richardson
Life of Pi, Claudio Miranda
Lincoln, Janusz Kaminski
Skyfall, Roger Deakins

Best Costume Design
Anna Karenina, Jacqueline Durran
Les Misérables, Paco Delgado
Lincoln, Joanna Johnston
Mirror Mirror, Eiko Ishioka
Snow White and the Huntsman, Colleen Atwood

Best Documentary Feature
5 Broken Cameras
The Gatekeepers
How to Survive a Plague
The Invisible War
Searching for Sugar Man

Best Documentary Short
Inocente
Kings Point
Mondays at Racine
Open Heart
Redemption

Best Film Editing
Argo, William Goldenberg
Life of Pi, Tim Squyres
Lincoln, Michael Kahn
Silver Linings Playbook, Jay Cassidy and Crispin Struthers
Zero Dark Thirty, Dylan Tichenor and William Goldenberg

Best Foreign Language Film
Amour, Austria
Kon-Tiki, Norway
No, Chile
A Royal Affair, Denmark
War Witch, Canada

Best Makeup and Hairstyling
Hitchcock, Howard Berger, Peter Montagna and Martin Samuel
The Hobbit: An Unexpected Journey, Peter Swords King, Rick Findlater and Tami Lane
Les Misérables, Lisa Westcott and Julie Dartnell

Best Original Score
Anna Karenina, Dario Marianelli
Argo, Alexandre Desplat
Life of Pi, Mychael Danna
Lincoln, John Williams
Skyfall, Thomas Newman

Best Original Song
“Before My Time” from Chasing Ice, music and lyric by J. Ralph
“Everybody Needs A Best Friend” from Ted, music by Walter Murphy; lyric by Seth MacFarlane
“Pi’s Lullaby” from Life of Pi, music by Mychael Danna; lyric by Bombay Jayashri
“Skyfall” from Skyfall, music and lyric by Adele Adkins and Paul Epworth
“Suddenly” from Les Misérables, music by Claude-Michel Schönberg; lyric by Herbert Kretzmer and Alain Boublil

Best Production Design
Anna Karenina, Production Design: Sarah Greenwood; Set Decoration: Katie Spencer
The Hobbit: An Unexpected Journey, production Design: Dan Hennah; Set Decoration: Ra Vincent and Simon Bright
Les Misérables, Production Design: Eve Stewart; Set Decoration: Anna Lynch-Robinson
Life of Pi, Production Design: David Gropman; Set Decoration: Anna Pinnock
Lincoln, Production Design: Rick Carter; Set Decoration: Jim Erickson

Best Animated Short
Adam and Dog
Fresh Guacamole
Head over Heels
Maggie Simpson in “The Longest Daycare”
Paperman

Best Live Action Short
Asad
Buzkashi Boys
Curfew
Death of a Shadow
Henry

Best Sound Editing
Argo, Erik Aadahl and Ethan Van der Ryn
Django Unchained, Wylie Stateman
Life of Pi, Eugene Gearty and Philip Stockton
Skyfall, Per Hallberg and Karen Baker Landers
Zero Dark Thirty, Paul N.J. Ottosson

Best Sound Mixing
Argo, John Reitz, Gregg Rudloff and Jose Antonio Garcia
Les Misérables, Andy Nelson, Mark Paterson and Simon Hayes
Life of Pi, Ron Bartlett, D.M. Hemphill and Drew Kunin
Lincoln, Andy Nelson, Gary Rydstrom and Ronald Judkins
Skyfall, Scott Millan, Greg P. Russell and Stuart Wilson

Best Visual Effects
The Hobbit: An Unexpected Journey, Joe Letteri, Eric Saindon, David Clayton and R. Christopher White
Life of Pi, Bill Westenhofer, Guillaume Rocheron, Erik-Jan De Boer and Donald R. Elliott
The Avengers, Janek Sirrs, Jeff White, Guy Williams and Dan Sudick
Prometheus, Richard Stammers, Trevor Wood, Charley Henley and Martin Hill
Snow White and the Huntsman, Cedric Nicolas-Troyan, Philip Brennan, Neil Corbould and Michael Dawson

http://insidemovies.ew.com/2013/01/10/oscar-nominations2013/

The directors category has to be the most surprising at all, only lining up 2/5 with the guild. A lot of people were predicting Tom Hooper to be left out, since the reception for his direction for Les Miserables has been mixed, but Ben Affleck and Kathryn Bigelow were widely considered locks. I’m happy for Benh Zeitlin, though.

Silver Linings Playbook is the first movie since Reds in 1981 to get nominations in all four acting categories. Jacki Weaver was a huge surprise there.

The guilds have yet to announce their winners, but I have to think that Lincoln is the frontrunner at this point.

I also note that there are no nominations for big-budget movies that the audience loves, “so let’s nominate them as to boost ratings for the award show” - no Skyfall, no Avengers, nothing.

Right now, yeah, it looks like Lincoln’s year…

Youngest female.

Another trivia tidbit; every nominee for Best Supporting Actor already has at least one Oscar in his trophy case. I don’t know if that has ever happened before.

There might not have been any tentpoles nominated, but this is a pretty box-office-friendly slate of nominees. Four have already cross the $100 million mark (Lincoln, Argo, Django Unchained, and Les Miserables), and Life of Pi might manage to cross that line if it gets enough of a post-nominations bounce. Plus, Zero Dark Thirty won’t go into wide release until Friday, and it’s already done huge business in limited release.

It’s quite a change over last year’s nominees, where The Help was the only big hit among the nominees.

(This is stream of consciousness as I look at the Oscar list, so hold on)

What a shit Oscars list this year.

-Pretty much no recognition for movies like Moonrise Kingdom or The Impossible, but a ton of talk for films that really weren’t that amazing like Silver Linings Playbook and Life of Pi.
-Bradley Cooper gets a nom for actor in leading role? PLEASE.
-What the eff did de Niro do in Silver Linings Playbook? I’ll tell you what he didn’t do. Smash a skull with a hammer and then improvise the whole scene with his hand gashed open. Fuckin give Leo some credit.
-I really hope Naomi isn’t overlooked for The Impossible. What a masterful and powerful movie and performance on her part.
-WORST. ANIMATED. FEATURE. FILM. LIST. EVER.
-No nom going to the Impossible for cinematography. BOO. Hope Django or Skyfall gets the nod. (Side note: Did you see all that crap in Skyfall? That was amazingly filmed and it had an awesome color palette)
-No nod to Django for costume design? Wasn’t that the ONE nomination that was secretly released? WTF?
-What a crap directing list. No Quentin, No Affleck, and No Bigalow. Enjoy your Oscar, Spielberg.
-No Rust and Bone for foreign language film. Again, WTF.
-Hitchcock vs. Hobbit for Makeup and Hair. Will be interesting.
-Does Django, or any of Quentin’s films for that matter, not get any nods for their music because its not original?
-Argo better win adapted screenplay
-Django better win original screenplay.
-I hope Prometheus gets a nod for all the crazy crap it did for its visual effects.
-Music: LET THE SKYFAAAAALLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLL

True, that.

I expressed my opinion about a film going into wide release on 1-11-2013 being nominated for 2012 awards earlier in this thread… :wink:

Random observations:

Big love for Beasts of the Souther Wild, and Amour. :slight_smile:

I was hoping for more for Moonrise Kingdom. And The Impossible. :frowning:

Seth McFarlane got a nomination, could the host win one? :cool:

I don’t really get the love for Alan Arkin. He’s OK, as he always is, but Oscar all the time? I guess I’m missing something in the subtlety of his performance in difficult roles. :rolleyes:

…Oh yeah, one more…

No love for Marion Cotillard in Rust & Bone. Early talk was whe was a shoe in?

I have a hazy memory of an award presenter (back in the 40s?) who opened the envelope to find that they were the winner, but I can’t find the reference now. Perhaps I’m mis-remembering things…

More thoughts:

What the fuck is up with Master being snubbed for Cinematography AND Directing AND Best Picture…Come on!

Snow White nominated over Cloud Atlas.

Cloud Atlas snubfest in general.

Fun thought for the day: Mirror Mirror and Snow White & The Huntsman can call themselves “Academy Award Nominated” Films. Looper, Cloud Atlas, and even The Dark Knight Rises can’t.

Irving Berlin presented the Oscar to himself for Best Song for “White Christmas” from Holiday Inn, 1942. The only time this has happened.

Thanks!

From the Oscars Rules: “An original score is a substantial body of music that serves as original dramatic underscoring and is written specifically for the motion picture by the submitting composer.” After all, the category is “Outstanding Original Score.” How much of the music in Django Unchained was written for the film?

As for Animated Features, what would you have included? Then again, there was a lot of love for stop-motion (Pirates, Frankenweenie, and ParaNorman, right?); apparently, if it’s not stop-motion or Disney, don’t bother.

I loved Silver Linings Playbook and would have no problem with it winning Best Picture, but I think De Niro as a nom is stretching it enough; Jacki Weaver definitely feels like too much. I think Lincoln and Les Mis were also over-nominated in various areas, while Moonrise Kingdom seems to be the biggest omission. I’d also like to have seen The Master up for Best Picture, but it’s hard to argue when it got nominations in three of the acting categories.

I could understand not liking the movie overall (even though I loved it), but the cinematography snub is just baffling to me. Surely even people who hate the movie can see how glorious it looks? Grrr.

Well there was that cool Ennio Morrichone song he did for it. That aside, it sucks that his whole soundtrack shtick gets overlooked.

I was more just saying that there weren’t any really good animated features the year, not that anyone particularly got snubbed.