I gave the situation some more thought, and let me (hopefully) clarify my position via a hypothetical thought exercise.
I loves me some Lars Von Trier. Love eveyrthing he’s ever done. Fantastic director. Say I opened an OP in Cafe Society entitled “The Lars Von Trier Appreciation Thread.”
OP: Lars Von Trier is a fantastically original director whose quirky imagination effectively combines European art-film sensibility with a decided light-heartedness, often hysterical humor, and an unashamed appreciation for supernatural horror. I love everything I’ve ever seen him do. Anyone else?
Poster 1: Yeah, I loved his direction in The Kingdom! Man, what a marathon!
Poster 2: Me too!
Poster 3: Lars Von Trier?! That dried up husk of a wanna-be artsy-fartsy director? Man, I wanted to punch his ass out for that travesty Element of Crime, and Terry Gilliam kicked his dog over Zentropa. The last time I heard from Von Trier, he was under David Lynch’s desk, being referred to as “Monica” (not that there’s anything wrong with that.) Cut your hair, you greasy Steve Buscemi-lookin’ motherfucker!
Now. What would your reaction to Poster 3 be? Would you
[ul]
[li]Get all offended, but ignore him/her?[/li][li]Get all offended, melt down in CS, get banned, and create a sock so you can start a “Coldfire is a Nazi” thread?[/li][li]Step 3: Profit! (sorry)[/li][li]Get all offended, and immediately excoriate Poster 3 in a Pit thread?[/li][li]Give back with both barrels?[/li][li]Other?[/li][/ul]
For myself, I’d probably respond with something like: “Poster 3, I’d seriously take another look at Von Trier’s work if I were you. You seem to suggest that he is an unskilled director, but he’s managed to bring things to the screen that are truly original, funny, and occasionally shocking. Sure, he’s sort of influenced by Lynch’s work, but then again, Lynch hardly invented Stream-of-Consciousness. Besides, the reason he was under Lynch’s desk was to show him how he got that ‘giving birth to a full-grown man’ effect in The Kingdom.”
Note that there’s not a shred of personal effrontery toward Poster 3. I guess I just do not take offense at someone else’s interpretation of art. If it clashes with mine, I simply tell them why I think they’re wrong. No big deal.