I saw the 16-minute IMAX 3D preview and have to say that it did nothing for me. I didn’t get the sense that there’s going to be a compelling story under all the CGI and effects. The basic story outline – soldier infiltrates natives before attack and becomes sympathetic to them – is fairly cliched and uninteresting. That’s not to say that a great movie can’t be made from the theme, but I’m not highly optimistic. And now that I’m a grown-up, I’m more interested in interesting characters and an engrossing and original plot with emotional power than a bunch of computerized spaceships, aliens, and explosions.
Also, I don’t think Cameron is as good at 3D as he thinks he is. His IMAX 3D films did not use 3D very well, and unlike Zemeckis, who did a separate 3D version of A Christmas Carol just for IMAX, Cameron doesn’t seem to have paid much attention to the IMAX version of Avatar. He has inexplicably shrunk the image on the IMAX film prints so that it doesn’t fill the full height **or **width of the screen. He claims this smaller image somehow makes the 3D better. WTF?
But for all that, I’m not predicting it will bomb, because the success of Transformers and Twilight and many other films has proved that my tastes and the public’s are not one and the same. But I don’t think it will live up to expectations, because after all this hype, the only way it could would be if every human being in the world went to see it the first weekend. Anything short of that and some people will declare it a flop.
I’m only rising to your bait to point out how ludicrous this statement is:
Imagine they invented a movie technology that blind people couldn’t see or a sound technology that deaf people couldn’t hear. Oh, wait a minute…
3D is no more a matter of discrimination against you than all movies (and TV, and books, etc.) are discrimination against blind people or sound tracks (and radio, telephones, iPods, etc.) are discrimination against deaf people. It’s unfortunate that you and others can’t resolve 3D, but I haven’t heard any blind people saying we should do away with all forms of visual communication because they can’t participate. We get that you don’t like 3D. Most of the rest of us do. Get over it.
In any case, according to an analyst from Screen Digest who spoke at a conference I attended in September, when the transition from 35mm to digital cinema is complete in a few years, only about one-third of movie screens will be 3D capable. (Unfortunately, her report is not available online.) Good news for you, gaffa! There will always be 2D films and 2D theaters!
The other piece of good news is that Cameron is money-grubbing enough to compromise on his 3D-only position: “Avatar will play in 3D at around 2,500 locations (180 IMAX) and 2D at 1,500 locations.” [emphasis mine] More good news for gaffa and JohnT.
But on that point, gaffa, let me ask you how you feel about colorization. If a director makes a film in B&W, should he be required to allow a colorized version? Doesn’t he have the artistic right to decide that his vision is B&W, and that colorizing would destroy that vision?
Then doesn’t it follow that if he decides that 3D is integral to the story he’s telling, he should have the right not to let it be shown in 2D, if he feels that would damage the integrity of his film?