So many of the songs listed in this thread seem to be of the type that are calculated or at least expected to elicit a tearful response.
That doesn’t work for me. Nor do tear-inducing lyrics alone. They have to be mated with music and/or vocals that push some emotional buttons.
The last poster I responded to mentioned a “corny falsetto” in connection with Henry Gross’s “Shannon,” which is of course modeled on the sound of The Beach Boys.
But I find nothing corny about Brian Wilson’s voice. It’s achingly pure and beautiful, with an underlying sadness that, it turns out, was grounded in reality.
There’s a song on the album “Beach Boys Today!” called “She Knows Me Too Well” that has moved me to tears more than once. There’s nothing terribly sad about the lyrics, it’s mostly the melody, the way Brian sings it, and the rich backing vocals of the other Beach Boys.
Mention has been made earlier in the thread of “Where’ve You Been” by Kathy Mattea. A good example of a song that could easily have been overdone, but is saved by a subtle arrangement that’s almost still in its quietude. And the chorus really points up the importance of the melody to its emotional impact. That upward arc on “Where’ve you” that comes back down on “been” is what makes it.
I’ll mention two other country songs that move me deeply. Neither one of them is an obvious weeper like “He Stopped Loving Her Today,” which is OK but tremendously overrated in my book.
A year or so before Mattea’s song, a singer named Judy Rodman had a minor hit with a song co-written by Janis Ian, “I Want a Love Like That.” If you’ve stayed with me this long, I might as well drag this post out a bit longer by quoting the first verse and the chorus:
When that old man was married
They fought like dogs and cats
Everybody wondered
How long would it last
Fifty years of living
Neither one of them packed their bags
Lately he’s been missing
The way she used to nag
I want a love like that
I want a love like that
I want a love like that
A love like that
I can get choked up just hearing the chorus in my head.
The second one is “Just Like Real People” by The Kendalls. Premise is she’s pledging her life to this guy, but she wants to be sure he understands that “I ain’t no angel in white satin/Been around some, if you know what I mean.” What makes it work is the complete humbleness and honesty Jeannie Kendall projects, the willingness to leave herself open in a way she’s never done before. The chorus of this ballad, sung with devastating three-part bluegrass harmonies, is:
Just like real people
We can settle down and have us a home
Just like real people
Together we can make it I know
I know, writing about music is stupid, in that it can hardly convey the impact of hearing it. But I felt compelled to do so. Seek out these songs, and see if they do for you what they do for me.