“Number Three” from their first album has a baritone sax too, but it’s a sample on loop.
NM
One of my all time favorite bands. R.I.P. Mark Sandman.
More great Gerry M. can be found on ‘Ghandarva’ (Paul Beaver & Bernie Krauss). Man, that cat could play.
Two saxes at once. Freaking crazy but damn does it work.
The end of “The Boxer” sounds like one, during the “lie lie lie’s”, but could be tubas.
In the end it doesn’t sound like the Bass Harmonica in the middle of the tune as in the Wiki.
“…The song also features a bass harmonica heard during the second and final verses…” LINK
Could be creative engineering.
Rahsaan Roland Kirk did that, too- and sometimes with three horns at once. I don’t know if he did any particularly famous recordings on baritone sax, but he did play it. He played everything and sometimes created his own instruments!
Don’t forget Tears of a Clown people.
Dance to the Music, Sly and The Family Stone.
The sax solo on Lou Reed’s Walk on the Wild Side is a baritone, I believe.
That’s a bassoon, not a saxophone.
Moaning by charles Mingus is a very good bari piece
The sound is definitely a bassoon, but I always understood that the iconic intro, which crops up throughout the song, was actually a synthesizer piece created by Stevie Wonder independently and then pressed into service for the song.
I always liked the one-nite baritone sax bit that hits at the beginning of the play out of “Thank The Lord for the Night Time” by Neil Diamond.