Powerhouse, factory music in a jillion Looney Tunes.
If we’re going for literal song titles, then “This Is Not A Love Song” by PIL.
For the onomatopoetic angle, I’ve got Da Doo Ron Ron by the Crystals.
Believe it or not, there’s a British cover of that (how often do you get a cover of an instrumental? And a trashy pop one at that.)
To my shame, I had never heard of the trashy original, only the trashy copy. Fits the bill nicely, though.
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Speakers of languages which use an umlaut to designate a pronunciation change may understand the intended effect, but perceive the result differently. When Mötley Crüe visited Germany, singer Vince Neil said the band couldn’t figure out why “the crowds were chanting, Mutley Cruh! Mutley Cruh!”
From the Wiki
Todd Rudgren’s Onomatopoeia
Brian Eno’s album Another Green World is replete with études matching sound with song titles:
“Sky Saw” (Robert Fripp’s treated guitar)
“St. Elmo’s Fire” (Fripp’s guitar solo starting at 1:20)
“In Dark Trees”
“The Big Ship”
“Another Green World”
“Sombre Reptiles”
“Little Fishes”
“Becalmed”
“Spirits Drifting”
Each one of these sonic gems paints a vivid picture with sound that brings its title to life. Eno got a start on this idea with “Here Come the Warm Jets,” titled after the fuzzy, airy sound of the treated guitar in that piece.
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