I hear this song as a married man singing to his wife. He comes home from a hard day’s work, his paycheck in hand, and his wife is giving him a hard time. This song is his response, and a plea for her to give him his due. He’s paying the bills, but he doesn’t mind that. All he wants in return is a little respect.
So that made you not like the song? What is wrong with a song about stalking? I take it you would have no issue with watching a film that contained depictions of stalking right?
You realize that Bodies is widely interpreted an anti-abortion song right?
My view of this is colored by the fact that I’ve been stalked. Songs or films about stalking don’t appeal to me.
Yes, I do, and that’s my problem with it (I must have been unclear).
I second (third?) “Freebird”. First, there’s the wonderful guitar rift, then the twangy/whiny, “If I leave here tomorrow, would you still remember me–ee–ee–ee?” My response has always been, “huh, who are you?”
Guys don’t like that.
Love, Phil (I’m female)
You think so? I always saw the lyrics pretty clearly as a breakup song, and while the title makes it a bitter breakup song with sarcasm, it’s still a breakup song, and not one that lends itself to proms and graduations.
But without the main title, it can easily be seen as a regretful breakup song. As in, “I don’t want to end this, but I feel I have to”, kind of way, which DOES lend itself perfectly to graduations and proms. Everyone knows that their high school lives are over, and while they may not want it to end, they know it has to for them to get on with their lives and go do something with themselves.
So, in summary, the song can be described thusly:
Good Riddance (Time of Your Life)
"It’s something unpredictable, but in the end is right.
I hope you had the time of your life. :rolleyes: "
Time of Your Life:
"It’s something unpredictable, but in the end is right.
I hope you had the time of your life. 
"
I grew up listening to R&B and I really liked “Secret Lovers” until I got old enough to understand the implications of what they were saying. Now it sickens me to hear it. I have such a hard time understanding why someone would sit down and write that song without a trace of irony.
Well, that was all Ronald Reagan knew anyway. 
Have to zombify this thread, but don’t blame me, it’s all Joni Mitchell’s fault. I was listening to her song “Help Me” and I … I … listened to the lyrics.
Specifically I listened to the part where she sings about “Didn’t it feel good?” over and over and over again. “Didn’t it feel good when we’re lyng her talking/or lying her not talking/dance with lady with the hole in her stocking/didn’t it feel good-ood-ood?” And also a lot of other “didn’t it feel goods?”
It’s beautifully sung, but when you think about it, the lady sounds kinda desperate, pathetic and needy. I can see some insensitive guy flipping channels on the remote and and saying, “Sure, Joni, it felt great. Now would you please get off my leg?”
I’m amazed that no one has brought up Blue Oyster Cult’s Don’t Fear the Reaper, a song advocating a double-suicide.
I don’t know how I missed this reply.
I don’t assume sex is the big deal. Some say it should happen by the third date. If the people in this scenario have been together awhile, I guess they’re already having sex. But sex doesn’t prove that you’re in love, either.
Lines 4,5,6 (IMO) mean it’s easy to say you love someone. It’s another thing to show it. And no, that doesn’t automatically mean sex.
I think you’re interpreting line 4 “What would you say if I took those words away” to mean the singer is going to stop saying he loves her. But lines 5,6 mean "If you stop saying that, and start showing that, you can make the relationship fresh and new just by saying it…right now, it doesn’t mean much however.
re: “Good Riddance” (Time of Your Life)
“Dead skin on trial.” The singer is saying, “Well it was a waste of time and a bunch of bullshit, but there’s no going back and changing it now.” But he concedes that we don’t know that in advance, so, he hopes you got something worthwhile out if it.
Like so many songs, people seize on the hook and put a spin on it that isn’t really there. In a similar vein, I think it was Cadillac that used Aerosmith’s “Dream On” for one of their commercials.
I don’t know why you bothered to dredge up this dead thread.
I’m the one who reanimated this thread and I explained why in my post.
That’s my favorite part of the song. It’s a very good bridge for the song and Wilton Felder’s bass line sounds good on it. Also she’s saying, “Didn’t it feel good, we were sittin’ there talking/or lying there not talking, didn’t it feel good?” Double meaning as in, sitting or lying, physically, but also sitting and talking or “lying” (as opposed to telling the truth) instead of not talking honestly. The “lying” part could also be implied as a sexual metaphor because the whole song seems to be about lovers cheating on each other but getting some kind of mutual excitement out of it, like the characters in “Crash” (the one with James Spader, not the piece of shit from 2005.)
I’ve always wanted to fuck Joni Mitchell and now is no exception. She radiates sexuality and energy. I wonder if Jaco Pastorius slept with her when they were recording Don Juan’s Reckless Daughter and Hejira together. He had to have, right? How could he not have?
I can only think of two songs where the lyrics actually make me dislike the song:
Bloodhound Gang - Fire Water Burn
Wheatus - Lemonade
Some other songs with bad lyrics, but that I still like:
Most square lyrics ever award:
Beach Boys - Be True to Your School
Song that to the highest degree doesn’t understand what its own title is about award:
Alanis Morissette - Ironic
Beatles - Run For Your Life
Joan Osbornee - One of Us
Didn’t this band record a song called “The Lap Dance is Always Better When the Stripper is Crying”? :smack:
Egads, I don’t even want to know the lyrics after seeing the title.
For me it has always been “Run For Your Life” from Rubber Soul by The Beatles:
You better run for your life if you can, little girl
Hide your head in the sand, little girl
Catch you with another man –
That’s the end of
Little Girl."
I used to love it back when my oldest sister would play her record on the hi-fi. Then some time in the late seventies I learned why radio stations didn’t play it.
shudder
Along with I Wish I was Queer So I Could Get Chicks and Three Point One Four which is about pie. Hairpie. Their schtick is being chauvinist pigs. And wanna-be white thugs.
Wiki says TLDIABWTSIC is a parody of Red Sovine songs. It’s kind of funny as every verse makes the singer out to be even more of a bastard than before.