Surreal continuing story: walking through doors and passageways

“Ms. Terwilliger, you said you recognized the shooter was Rita Waterford?” she asks.

“Yes,” Alice answers.

“And you said you’ve seen her several times before?”

“Yes.”

“Where had you seen her before?”

“On campus at _______ University where she was a student.”

“Did you have classes with her?”

“I was in a class with her and Lorna McManus.”

“Did Lorna McManus introduce Rita to you?”

“Not really. Whenever Lorna and I were talking, Rita would overhear us and feel the need to intrude. This was especially true if we were talking about music. She’s a really obsessive Christina Aguilera fan and doesn’t mind telling the world about it.”

“So why do you think she felt the need to start shooting at you?”

“It wasn’t so much me as it was Lorna. As I said, Rita’s reason for living is Christina Aguilera and will refuse to hear anything remotely negative about her. On the other hand, Lorna and I cannot stand her (Christina Aguilera that is). One time, Rita overheard us making our dislike of Ms. Aguilera known and she, of course, invaded our conversation to defend her. Things got heated and Lorna ended up saying Christina Aguilera was a–well let’s just say it’s a rude four-letter word beginning with the letter ‘c.’ This caused me to start laughing hysterically especially when Rita turned red with anger and stomped off vowing to Lorna that she’d pay for what she said.”

“So why shoot at you?”

“Well, by her logic, anybody who hates Christina Aguilara is her enemy and friends of her enemies are her enemies as well. (I also don’t think my laughing at her helped things.) In fact, before the sniping incident, Rita keyed my car several times and stuck a banana in my tail pipe.”

“So, in your view, Rita did have a motive to shoot at you?”

“Yes…and Lorna too.”

“Did you know Rita was working for Lemoyne at the time of the shooting?”

“No, I didn’t find out about that until later.”

Thallwood stops for a minute, tells the justices she has no further questions, and sits down. Larkin Gingerich then gets up and leads off with a particularly intrusive set of questions for Alice.

“Ms. Terwilliger,” he begins. "Is it true…

“…that you yourself have manifested an unnatural affection for Ms. McManus and Ms. Waterford?”
“Absolutely not,” answers Alice.

“And isn’t it so that your relationship with ________ has moved you to sympathize with him concerning any persons he may not like, and agree with his aberrant convictions regardless of how insane they may be?”
“No!” snaps Alice. I hear Loochy braying louder and with more dissonance than before.

“Ms. Terwilliger, don’t you and _____ talk about ‘flying’ occasionally? You both use LSD, don’t you?”
At the mention of the word “flying” Alice’s eyes flash with anger. “We do not!” she retorts.

“And haven’t you and ______ visited the home of Jack and Eloise Sharp for the specific purpose of participating in drug-induced sex orgies?”
“No! We don’t take drugs and…” Alice’s poise dissolves in anguished weeping. Loochy’s braying continues, louder and more dissonant.

Mr. Bartholomew speaks up. “Honored Justices,” he says, “I will move that this counsel’s cross-examination of the witness be stricken from the record as cruel and unacceptable badgering.”
“Motion granted, Mr. Bartholomew,” says Justice Goulding. “Mr. Gingerich, I find you in contempt of this court and order you to come to our chambers in ten minutes. Ms. Terwilliger, you are excused.”

Alice steps off the witness stand and, still crying, hurries over to me. I sit with her and hold her in a tight embrace. Professor Fields and Mr. Bartholomew are glowering at Gingerich and Thallwood. Loochy has stopped braying. I see one cardinal perched on a branch of a tree visible out the window; and I can tell it isn’t even facing the building, as the others had been earlier in the day. Finally it flies away. Loochy gives it one last derisive bray.

Justice Lyene speaks. “Your depositions are over, Mr. ______, Ms. Terwilliger.”
Alice manages to speak. “Your Honor, what he said about—”
“That’s all right, Ms. Terwilliger. We don’t believe Gingerich’s allegations for a moment. And that series of questions will be omitted from the record when this case goes to a trial.”
“Will we have to have another deposition?” I ask.

“Yes, but you may arrange that with your own attorney and Johnson and Delatorre,” he answers. “Unless Gingerich can show cause why the contempt finding should be quashed, Lemoyne will have to secure another attorney or leave Thallwood to act as sole defense counsel. The Court will notify you about a substitute deposition, which you may prepare for at a site more suitable.”

This makes sense. Perhaps we can have this done in Mr. Bartholomew’s office, or Professor Fields’.
I ask, “Your Honor, will I be recalled? Ms. Johnson suggested that.”

“No, that is not necessary.”
We go to the cafeteria while Fields and Bartholomew present their brief. Alice walks close to me with her arm around my waist. When we get to the cafeteria and sit down she cries hard.
“That damned bastard,” she sobs. “Where the hell does he get off concocting questions like those?”

I remove her glasses and dab the tears off her cheeks. “I tell you I had a good mind to knock him through the window after the second question,” I say.
“You won’t have to worry about that!”

We look up. I hand Alice back her glasses. It’s Salbert, in a Western-style suit, string tie and all. He wears a broad smile, and he too takes Alice’s hand and clasps it.
“I was in ‘phantom mode’ just now in the justices’ chambers. They gave Gingerich a severe tongue-lashing and told him they were sending a transcription of the deposition to the State Bar with a recommendation that Gingerich be suspended or disbarred.”
In fact, in the cafeteria during lunchtime, I saw an article in the magazine California Lawyer about an attorney—oddly enough, named Bill Gingerich, in Yreka, who was suspended for three years for such tactics.

“Lemoyne sure knows how to pick ‘em, doesn’t he?”
“Oh, yes,” says Salbert. “And he may have some difficulty with that now, because the office managers in three of the law firms he’d most likely contact from where he is, are members of the DXM League. And so are the supervisors in the court clerk’s office who assigned Justices Lyene, Lorent, and Goulding to the case. Those three justices are among the best in the state appellate system. We have to be fair, of course. None of the justices themselves are DXM people.”

By now Alice’s demeanor has returned to normal, though she still stays close to me. I glance out the window and see not one cardinal, nor many other birds; there is an occasional pigeon, sparrow, or hummingbird. And the cats are somewhat scattered now.
Bartholomew and Fields join us. They’ve presented their brief to the Justices, and Fields has some more good news. Apparently he got a call from his office about Sikes-Potter’s estate.
“The probate court voided the will,” he says. “All of the estate is going to his relatives in England. And the court even voided John McGowan’s bequest.”

This may be what Lena meant when she said the adversaries’ star was flickering.
We all return to the Sharps’ mansion. I drive the Beetle; even the car speaks kindly to Alice, still hurt from the attorney’s cruel questions.

We all meet with Jack, Eloise, Salbert, Buster, and the others in the Green Room to discuss our trip to Stockton and the rehearsals, which will be resuming tomorrow.

We go over what we said in our depositions, the outrageous conduct of both of Lemoyne’s attorneys, and the problem with the cardinals. Alice is still upset about Gingerich’s obnoxious inquiry but she’s too mad to cry. Had Gingerich been unlucky enough to be in the Green Room with her at that moment, within a few seconds he’d be singing soprano.

“That sleazy little scumbug,” Alice mutters. “I should’ve never let him humiliate me like that.”

“If it’s any consolation, Gingerich is in deep shit now,” Salbert says. “Although, judging from the livid glint in your eyes, I think disbarment would be definitely the lesser punishment if the other choice was him having to spend a few minutes alone with you.”

“You don’t even want to know what I’m fantasizing about right now,” Alice retorts.

Neither do I.

“I told you on the phone that the incident with the cardinals was a botched assassination plot,” Salbert states. “I also said that there was a long list of names of people who could’ve been behind it. Well, since then we’ve talked to some of our contacts on-line and did some research. It looks as though we’ve narrowed the list down to five suspects.”

“There was an incident a short time ago at my family’s house where all these flocks of birds were gathered ominously in the yard,” Alice mentions as her fury subsides. “Was that connected?”

“Yes,” Salbert answers. “Apparently whoever’s behind this is fond of using birds.”

“So, let’s name names,” I say.

“The five suspects are Argo Rank, Irwin Loomis Knattey, Minerva Calley, Walter Locke, and Maya Kalp. Like Lemoyne, each of these people financially backed Sikes-Potter’s various companies and projects. They also helped ‘recruit’ people to assist in their research and development and–well–steal certain needed books and objects. In return, Sikes-Potter kicked back to them some of the fruits of his research.”

“But I thought Sikes-Potter and his organization were pretty much kerput,” I say.

“Oh, the organization that Sikes-Potter put together and Lemoyne was a key part of is in ruins,” Salbert explains. “But that doesn’t mean we don’t have to worry about its components. Basically, it’s a mystic’s fire sale and everybody is looting the store to get what they can. And I’m not necessarily talking about money or valuables.”

“What else would be of value?” Jack asks.

“Sikes-Potter and his in-house mystic, Randy James, while being unable to reach their ultimate goal–the total control of reality itself–did end up developing quite a few mystical ‘inventions’ (for lack of a better word). Each of the five people I’ve named (and maybe even some others) all managed to grab at least one of them when the Sikes-Potter empire fell apart. However, there are others still up for grabs and everyone’s trying to get them.”

“Did Lemoyne get any of them?” Alice asks.

“If he did, he didn’t use them,” Salbert answers. “Besides, I think Lemoyne is kind of burned out on all of this now.”

“So why try to kill us?” I ask.

“You’re witnesses who could help put Lemoyne away for a long time,” Salbert explains. “Lemoyne’s business acumen is still useful to those people so it’s best that he stays out of jail. Also, if it looks as though jail is unavoidable for Lemoyne, he’ll probably start talking to get a break on his sentence. And that’s something those people definitely want to avoid.”

“And so it goes on,” Buster warily comments. “Battling the Hydra.”

“You knew what you were getting into when you joined Buster,” Salbert says.

“You’re right,” the cat answers. “I needed more to my life than sleeping, eating, watching birds and squirrels out the window, clawing the furniture, and urping up on the carpet.”

“What have you planned for tomorrow’s rehearsals?” Eloise asks Alice changing the subject.

"I was planning on…

…using the numbers Lorna brought music for, about a week ago,” she says. “And I’d like to consider asking Jane Bradley to join us, at least for some of the pieces.” Lorna had in fact shown me some of the sheet music.
“Jane?” asks Eloise. “She plays the steel guitar, the piano, the harp, the acoustic guitar, and the string bass. [Jane herself hasn’t come into the room yet; she, Louise Brown, and Mary Blonda were on the phone long-distance.] I know she has played with such as the Livermore Symphony and the classical groups in Lodi and Hayward.”

“All the better,” says Alice. “The more versatile she is, the more latitude Prester John’s Aunt will have in utilizing her talents.”
Just a moment after that Jane, Mary, and Louise come into the room. Again Louise and Alice are in similar clothes; jeans, cardigan, house slippers; Louise’s hair is just long enough now to fall off her shoulders. Mary wears jeans and an old blouse again; this time with a bra. Jane wears a light blue dress, which has a modest neckline, although Jane’s figure is of course immodestly shapely. They sit with their husbands, who had come into the room only a few minutes before. I can see the men blush.

Jerry Britton, of The Cigar Band, just has to make an impudent comment. “How many times can your audience listen to ‘Stand By Your Man’?” he asks.
Jane glares at him with those big blue eyes. She can say so much without speaking…

“Jane, I’d like to talk to you about performing with Prester John’s Aunt,” says Alice, ignoring Jerry. “I understand you play the piano, the steel guitar, and the harp.” She asks Jane, Lena, Gwen, and Amy to come with her into the next room, where they have the instruments, to discuss the repertoire; Jerry and I carry equipment in and set instruments up. I’m not part of the arrangements so I don’t hang around.

When I return to the first room, the men have left. Eloise says Jack and the four other husbands went to the store to get groceries; Lupe has the day off and Armand doesn’t drive. Besides, since the Sharps’ oldest kids moved out on their own there’s often not much call for large meals… :rolleyes:
Fred, Salbert, and Buster have gone into another room as well. I sit down to catch my breath.
Mary Blonda speaks. “Eloise mentioned a flock of cardinals you saw in Stockton.” I’m glad Eloise didn’t go into more detail, although I trust Mary thoroughly. “I’m suspicious of that, and I’d like to contact Mark about the birds coming this far west. Like eastern blue jays, cardinals rarely appear this side of the Rockies.”

I know about this; I’ve done yard work and seen scrub jays darting around, watching me with implied impudence, and scouring the area for peanuts and such. :slight_smile:
“Well, if you think he can give us clues about the cardinals, and who brought them here [perhaps one of the five people mentioned above as being allied with Sikes-Potter and/or Lemoyne], have him get in touch with Alice or me,” I say. I write down the e-mail addresses for Alice, and for myself—my computer at the dorm.

I notice something I’ve never noticed before that the women—now there are only women with me in the room—have in common. It’s no surprise that Samantha Hoffman, George Galloway’s daughter, and Thalia, Samantha’s own daughter, wear rings that would identify them, at least to Alice and me, as people with the DXM League. In particular, I notice the extremely fancy ring—with could likely have cost over $10,000—that Eloise Sharp wears. Now I also notice rings of lesser value (list price, that is—I don’t think they would confer an inferior status) on the hands of Louise Brown, Loora Oranjeboom, and Mary Blonda. Jeanette Strong is also present, but she is wearing gloves; wise, I conclude, considering the panatelas she smokes, and she apparently wears the gloves to keep tobacco stains off her hands.
“Alice told us what happened when you went to the courthouse for depositions,” says Eloise. “That’s terrible…she almost cried when she told us.”

I feel pretty glum about it myself. “That miserable jock…why did he have to treat Alice like that?” I almost cry.
The six women—Eloise, Mary, Loora, Louise, Samantha, and Thalia—sit close to me to comfort me. They are all sympathetic.

This itself gets a reaction from me. These are women—four happily married women. (Samantha is divorced; Thalia has a relationship with Carl Sharp, Eloise’s second-oldest son.) Those pretty faces; those kind, mellifluous voices; those generous figures; and their expressed sympathy. This is too much for me and I pass out.

When I come to, I see the smiling face of Alice. I smile and shed a single tear. I sit up—I have been on a large couch—and she sits close and gets me in an embrace. Mary Blonda is the only other person present; she sits on a footstool. Then Buster saunters into the room. He jumps up onto the coffee table and walks slowly over to Mary. He touches her blouse hem with the tip of his tail, and puts a paw on her hand, right on the ring.

“Yes, I’m with the DXM League too,” Mary says. “George Galloway got in touch with me after the moth episode. You may not know it, but I was ‘initiated’ at the Terwilligers’ house with that bit with the gnomes.” :smiley:
“Oh, you mean that was planned by Mr. Galloway?” I ask.

“Absolutely,” says Alice. “Once Mr. Galloway saw the kind of person Mary is—‘that dear girl,’ as he called her—he decided she could qualify as a DXM person.” (I know, of course, Mr. Galloway used a figure of speech; he would not use a demeaning term to refer to Mary, who after all is grown, with a husband and three kids.) We all get a laugh out of this. I’m glad to see Alice in good humor again.
I’ve known for a while that Mrs. Blonda, like Mmes. Brown, Sharp, Bradley, and Oranjeboom, is a wonderful person, but I never expected this… :slight_smile:

“I think I fainted from an overwhelming sense of womanness present,” I say humbly, with my arm around Alice’s waist. It’s just those vibes…”
Now Mary—who seems to have an I.Q. of Googol—goes into some detail about what she believes she and her ornithologist brother Mark can do concerning the cardinals and anything else that may be in the bag-of-tricks of Sikes-Potter’s cronies, even after the probate court voided his will.

Mary spells it out:

“The cardinals in the courthouse and those huge flocks in Alice’s yard were obviously under someone’s control. First, for any further bird problems you might have, you’re going to need something that will disorient them.”

“Like what?” I ask.

“A special whistle that only birds can hear,” Mary replies. “Right after the cardinal incident, Salbert and I got in touch with Olga Jane Red Wing and she said she could make two for each of you. In fact, if you’re not too busy this evening, she’ll have her brother, Matt, deliver to you. I can call her up right now and set up a meeting time.”

I answer…

“That’s fine with me,” I say. We didn’t see her on the way out of the courthouse, but Professor Fields apparently gave her my address at the dorm, Alice’s home phone number, and the fax number for the Sharps’ mansion. Thus Olga would reach Alice and me one way or another.
Jack Sharp had loaned Olga the money to start her business in Native American curios. She paid him back, with interest, within about eight months. Jack has Alice, Mary, and me meet him in his office—a splendid room with a big oak desk and state-of-the-art everything—and shows us a picture of Olga Jane Red Wing.

“She’s about 6’1” and very dignified. I’d say she’s about 30 years old,” Jack says. She stands, in an ordinary business suit, with Jack and Eloise; she’s about four inches taller than Jack. (Eloise is of normal height.)
Jack no sooner finishes saying that than the fax machine on his desk spits out a page containing this message:

[the Sharps’ fax number]
March 6, 2003
Dear Jack and Eloise:
I intend to come out your way to meet with _______ and Alice Terwilliger tomorrow. Please contact me and let me know which address to go to. I will bring the whistles and some information on the birds as recommended by Messrs. Fields and Bartholomew. Thanks very much.
Olga Red Wing

So now Jack sits at the desk, bats out a letter on his ancient Smith-Corona typewriter (he’s used it since he finished high school), and pops it into the fax machine to send to Olga.
[Olga’s fax number]
Dear Olga:
Thanks for the contact. You may meet _______ and Alice at my home at [giving his address]. My butler Fred Moreland, my gardener Bob McMillan, or my cook Lupe Guzman may meet you at the door before Eloise or I can arrive. _______ and Alice are staying here too.
I have also contacted a brother-and-sister team of naturalists, Mark Smith and Mary Blonda. I have asked them to be here when you arrive. It’s best to come between 7 and 9 a.m.
Jack Sharp

“She’ll be able to deal with the cardinals, if they return,” Jack says.
“And I’m sure Buster will do his part,” comments Alice.
Buster has just now appeared in the doorway. He shows modesty, in whatever way a cat could do so. :slight_smile:
Suddenly the fax machine spits out another letter. This surprises all of us, even Jack.
March 6, 2003
[the Sharps’ fax number]
Letitia Lemoyne Frazier
Dear Letitia:
Here’s the Indian Contract I told you about. Because of the age of the paper I xeroxed it first, then popped the xerox pages into my fax, so maybe the pages might not come out clear.
We may be able to sock it to the Terwilligers and Alice’s idiotic friend after all though your brother’s in the slammer.
Here’s the text of the contract [in part—dougie_monty]
“Per agreement between the Shoshone Indians and the government of the city of ______, the tract at Tier ___, Range ____, Township ______, Tract ______, has been designated as Shoshone land, subject to the conditions herein listed.
“The government of the city of ______ must, within the ninety-day period beginning January 1, 1900, and ending March 30, 1900, including both of these dates, subdivide the parcel of land described herein and provide evidence of having done so, by December 31, 1900.
“Unless this condition of development, and furnishing of evidence, has been done by December 31, 1900, the parcel shall revert to the Shoshone tribe and to John Martin, chief of the tribe, or any heir or successor in interest.
“Besides the required return of the parcel, the government of the city of _____, or any private landowner occupying the parcel subsequent to transfer, shall be required to pay a rate of compound interest to be calculated annually at 7 ½ percent, on a principal of fifity dollars ($50), for the entire period of occupation contrary to the terms of this contract, and must vacate the property.
“There shall be no limit to the time period for which such penalty shall be assessed, except such as may already have been enacted by the State of California prior to the effective date of this contract.
“Given this 20th day of December in the year eighteen hundred and ninety-six.”
(signed) John Martin, chief of Shoshone Indian tribe.
Elias Josephson, mayor of city of _______.”
This contract should bring financial ruin to the Terwilligers. You’ll want to come with me to the local superior court so we can get the ball rolling on this.
Erika Thallwood, Esquire

:eek:
Alice gives an audible shiver. “Egad! What has that bastard Lemoyne cooked up now?”
“Who’s talking about bastards?”
We see Professor Fields come in. Fred had admitted him only a moment before.
“We just got this fax by mistake. It was addressed to Letitia Lemoyne Frazier but Mr. Sharp got it instead,” I say. I hand the fax pages from Thallwood to the attorney. He looks them over. He reads the entire thing three times and finally smiles.
“I had to send some things to Letitia Frazier when Lemoyne was originally arrested. She’s his sister—she’s about 60. She’s totally independent of him. Her fax number is different from the Sharps’ in that the last two digits were transposed.”
“What are we going to do?” asks Alice. My parents can’t be asked to move…”
“’Financial ruin’?” asks Fields.
Alice smiles slightly. “Unless that ‘penalty’ is in the hundreds of thousands of dollars that wouldn’t faze Dad and Mum,” she says. “They own rental property in several parts of California, and other States, and in Canada and England.”
Jack goes over to his computer and punches a bunch of keys.
“That comes to almost $70,000, in total,” he says, “over 100 years. In any case, you may want Ms. Red Wing to look at this, no matter how ‘authentic’ Thallwood may claim it to be. And by discovery we’d see it anyway—the original, that is.”
I sense that there is some flaw in the wording of the contract Mr. Fields noticed right away. I read it again myself and smile. I show it to Alice; she reads it too, and she catches on.
We’re done for now with the intrigue stuff and with Lemoyne and his cronies. We all return to the larger rooms where Prester John’s Aunt is setting up for a rehearsal, as is The Cigar Band. Jeanette is now wearing an ankle-length flannel dress, a headband, her skull pendant, and silver pumps—and nothing else. I slip out of that room lest I react the way I see Jan Oranjeboom, Carl Sharp, and Jeanette’s partners reacting, if you know what I mean. :smiley:
I know that, from what Professor Fields said, it doesn’t matter much about the fax Jack got by mistake; if Erika presses the matter in court Fields will prevail. Certainly he will prevail if the wording in the contract says what I think it does. I’ll leave it up to him to decide whether to get the message to Ms. Frazier—and how.
Meanwhile, I return to watch Alice and her partners in Prester John’s Aunt begin their rehearsals. Alice starts with a lively number on the piano.

It’s a cover of REM’s “It’s the End of the World As We Know It,” which is especially difficult to do on the piano. Alice meets the challenge effortlessly but Gwen has difficulty singing the rapid motor-mouth pace of the lyrics. She’s going to need a lot of practice and a lot of coffee if she wants to match Michael Stipe’s vocal speed on the song.

Just after Gwen trips over the line “Lester Bangs” for the fourth time, there’s a knock and Mary enters the room.

“I just talked to Olga Jane on the phone and she told the whistles are ready,” Mary tells us. “She just gave them to Matt to deliver to you but there’s a slight problem.”

“What’s that?” I ask.

“Matt works the late shift at the aluminum mill today so he can’t come all the way out to the house,” she explains. “Alice and you are going to have to meet him at a place near the mill.”

“Where?” asks Alice.

“The Galaxy 100 Mall,” Mary answers.

“The Galaxy 100 Mall? Is that place still in business?” I respond.

“Yes, there are still a few stores and a Spires’ Coffee Shop left,” Mary says. “In fact, Spires is where Matt wants to meet you and Alice. Olga Jane was just handing the whistles to Matt as I was hanging up so you better get going right now.”

And that’s what Alice and I do.

The drive in Alice’s car is uneventful. The car is silent and Alice and I discuss the numbers Prester John’s Aunt are planning to do. Gwen has written some new songs and Alice is so impressed with them that they’ll be added to the program.

Finally, we pull into the spacious parking lot for the Galaxy 100 Mall, which is empty even though it’s only early evening. The Galaxy 100 Mall was built circa 1960 in the “futuristic-space age” architectural style of the era. At its peak, it had three department (or “anchor”) stores, a multiplex cinema with a boggling number of six screens, and over 75 shops and restaurants. Unfortunately, this “space age supermall” that was designed to serve consumers’ needs well into the 21st century was all but commercially dead before the 20th ended. Bigger and flashier malls soon took away tenants and customers while big box stores delivered the crippling blows to the Galaxy 100 Mall. When Mary said there were a few stores left here, she was using a rather liberal definition of the word “few.” There were now only two businesses left at this once thriving enclosed monument to commerce: the aforementioned Spires’ Coffee Shop and a place called The Precious Roy Outlet Store. Both were located at the far western edge of mall; huddled together for protection against the swamping sea of vacancies. Save for those two, you could’ve used the rest of the mall to shoot a remake of *The World, the Flesh, and the Devil[/].

As might be expected, we find a parking space right in front of Spires. Alice and I get out of the car and walk into the restaurant which has the look of Edward Hopper’s “Nighthawks” set in a modern franchise restaurant. Aside from us, there are two lonely people–a man and a woman–at the counter. The cashier/counter waiter is serving them coffee while an unseen fry cook waits for orders in the kitchen. I believe there’s a waitress here too but, for the moment, she’s also out of sight. The sign in front directs us to seat ourselves and so that’s what Alice and I do: we sit down in a booth by the front window so we can see Matt when he pulls up.

Finally, the waitress appears. Surprisingly, she’s young–early 20’s–and personable. As she pours our water, we see a pick-up pull into the parking space next to Alice’s car. It’s Matt. He walks in the door with a small box in his hand and over to our table. He says to us…

“I’m looking for _______ and Alice Terwilliger.”
“That’s us,” we say in unison.

“Before I show you what I have, I’d like to have you give ‘the password’ Fred Moreland or Walter Fields gave you…”

I pause. I’m slightly off-guard. “…uh…Notary Sojac,” I say.
“1506 Nix Nix,” he says. The countersign. We shake hands and sit together in our booth. The waitress comes and Matt orders hot tea.

“Here are the whistles Olga Jane furnished. She included a diagram for fitting them onto your car aerial.” The whistles look like some kind of combination wind vane and pinwheel. “This design causes the whistle to rotate so it will catch wind from any direction.”
Already Alice and I sense that Matt has more of a mission for Alice and me than simply delivering whistles from his sister. He is a big, brawny man, with a physique that reminds me of Gaylord Perry’s. He is obviously a full-blooded Shoshone like Olga Jane.

“I also happen to know,” he says, showing his DXM ring, “that five people identified to you are operatives of Henry Sikes-Potter’s organization. They have been forced to operate independently of Victor Lemoyne since his confinement in federal custody, and since Sikes-Potter’s own legal will was voided by the probate court.”
Alice and I sense Matt Red Wing is onto something really big…

“It is therefore my duty to confer on you, ________, and you, Alice Terwilliger, the power of extrasensory perception. [This startles Alice and me slightly.] Use it wisely. It may save your lives.”
“Does that mean we will know what happens ahead of time?” Alice asks.

“Not necessarily,” answers Matt. “As with Lena Martínez, this power will be more clairvoyance than foreknowledge. I hope you succeed in your endeavors, and you may reach Olga Jane and me at this website, e-mail address, phone number, and postal address—the Indian Curio Outlet. I shall contact you later.”
Suddenly I black out. When I regain consciousness it’s the same scene, with Alice in the Spires; same time; but Matt Red Wing is gone. Only the nearly-empty tea cup and the bag with the whistles and Olga Jane’s diagram and instructions, and the paper Matt wrote information on, remain on the counter. We don’t even see his car.

We finish our order, pay, and leave. The surroundings are dreary. I consider it wise I brought my Magnum with me. And hey, we could still take wing if need be…
And it’s a good thing we leave now, too. We’ve seen some derelicts wandering around. Men in grimy rags; bag ladies; painted women. I sense that the employees of the Spires are hardened enough so this developing scene doesn’t faze them.

As we drive back to the Sharps’ mansion we relax by playing a local classical-music station. Alice has her mind on something else.
“I was really disturbed by the conduct of Lemoyne’s counsel,” she says.

I remember Gingerich’s questions. I gently slip an arm over her shoulder. “Sometimes you think you’ve heard it all—and that damned jock says things like that—”
“Oh, I don’t mean him,” she answers. “I mean Erika. One moment she’s a scatterbrain and the next she comes up with that crackpot contract. My God, anybody with half a mind could see through that wording…”

“Then how come Erika didn’t?” I quip. :smiley:
“Oh, you’re funny,” she snaps, staring to snicker. She holds the wheel with her left hand and gives me a playful poke in the crotch with her right. My reaction is obvious.

The car emits a chortling sound through the speakers.
“You keep out of this,” I say. Well, we’ll leave it up to Fields how to get that fax back to Lemoyne’s sister.

We’ve now returned to the Sharps’ place. Eloise gave us a door key to let ourselves in. Alice punches a code in a tiny keypad that opens on the door after she turns the key in the lock. The door opens and we go in, closing the door. A night security guard relocks the door behind us.
As we approach the stairs to the second floor I can see Alice’s pupils expanding again, and the familiar flush of her face that indicates she is feeling lustful. We clasp hands ascending the stairs and I can also feel her heartbeat quickening.

We get to our bedroom, which Eloise had numbered for us as #35; all the doors look the same otherwise. We go in and sit on the bed and undress, then, without bothering to switch the light off, slip into the bed together, Alice on her back and I on my stomach on top of her. As we’ve done before, we engage in articulate conversation which we know the coitus will stop.

“Well, we should hear from Fields and Salbert about what to do tomorrow, including fending off those five minions of Sikes-Potter,” she says as I stroke her hair with one hand, kiss her on the cheek and neck, and fondle her breasts with the other hand.

“Fields will call us here about 9 a.m.—there’s a calling card of his stuck to Eloise’s refrigerator with a little magnet,” I say to Alice as her bosom heaves and she starts thrusting her hips upward. “And we should be returning to the Morpheus later tomorrow.”
Our discussion—and ardor—continue…

…with the usual results.
And we nod off. We still forgot to turn the light off.

In the morning we get a call from Professor Fields. It seems that…

Carol Cott was found dead in her cell earlier in the morning.

“What was the cause?” I ask even though I know what the answer probably will be.

“They don’t know,” Fields says. "But there was no sign of drugs or any overt physical assault. They just found her lying on her bed with–

“a vacant smile on her face?” I finish.

“Yes exactly,” Fields. “Just like Topp and the bikers.”

“So, has recalcitrant plebney struck again?” I inquire.

“That would be my first guess were it not for the fact that Cott was not in any way related to either Topp, the bikers, or Sikes-Potter,” he states. “We’ll find out more after the autopsy. Also, before I come out later today, I want to know what Alice has done with her decoy ‘23 Herring Recipes’ book.”

“I think she’s put it back in her bookshelf somewhere.”

“Well, maybe she should reconsider her ‘hide in plain sight’ strategy and put it under tighter security. Argo Rank, Irwin Loomis Knattey, Minerva Calley, Walter Locke, and Maya Kalp would all love to get that their hands on that book and will do anything to get it. Putting that book in safekeeping should be a top priority with you two.”

“Do you have any ideas?”

“Salbert and I were going to suggest some during the meeting.”

Alice has been silently listening to our phone conversation with her attachment. However, with our discussion of how to keep “23 Herring Recipes” out of the wrong hands, Alice feels the need to ask Fields a question…

[Thanks for the explanation, NDP. --dougie_monty]
“…it concerns those five people you mentioned—Calley, Kalp, Knattey, Locke, and Rank.”
“Go on,” the professor says.
“I can’t help but feel that some of those are assumed names, and, with the new sense of perception Mr. Red Wing gave us I am just about positive. One of those names sounds like someone I remember from our time in England.”

“Well, all except Knattey are English. Knattey, oddly enough, was born in London, Ontario. What little information we have does suggest, yes, that the other four were born in England themselves.”
As I listen, it stirs something up inside me, and apparently even more inside Alice herself, from what I note of her facial expression and posture.

At the time of our first sexual encounter, in the deserted farmhouse—before and after our drives in Tom Smothers’ limousine—Alice told me about an uncle who came damned close to raping her. I have been puzzled by this, however, since Alice has said her mother had two brothers, Philip—a former employee of Lemoyne’s who seems now to be in charge of what is left of the company—and Peter. Both have the last name of Greenwood, which is Eda’s maiden name. Peter is still in London and is an official of the post office in the tiny City of London, a semiautonomous division of the great city. I have not asked Alice or her kin about Paul’s siblings.

I hang up my extension and mull over this some more. I muse about how Carol Cott may have contracted recalcitrant plebney—if indeed she did so.
When Ms. Cott barged into the lawyers’ office a few years ago, she seemed to have an odd guttural “drop” in her voice, as if she were, periodically, about to hiccup. I dismissed this as an individual idiosyncrasy; and when the lawyer, the real receptionist, and the building security ousted her, she hollered, and made the guttural sound more frequently and louder. I heard it only a few times when she made the ominous call to Alice that I listened to on the speakerphone. I suppose that Fields has been telling Alice about this. Apparently the ESP Matt Red Wing gave us is something we can turn on or off, after a fashion; it doesn’t function continuously. I know it’s out of place when Alice and I are intimate… :rolleyes:

Alice finishes the call to Fields; she’s been taking notes. She and I are in bathrobes and slippers, when Lena, Jane Bradley, Eloise Sharp, and Buster come into the room. And Leo appears, too, having completed his business in Montana. He’s in better fettle; no discontinued products to suppress now.
Though all of the group have something to say, Jane Bradley, her preposterously generous torso covered by a dark tailored blouse (she also wears bright purple slacks) speaks for the group, in her sultry contralto voice:

“We were wondering about something.”

“About what?” I ask.

“Did anybody open up the hatch in the floor in the Morpheus’ secret room?” Jane asks.

“I don’t think anybody did,” I answer. “We were so busy loading all the silver that we all neglected to do it. I’m not even sure if it was locked. Why do you ask?”

“When we turned out the lights in the room, I noticed a greenish glow emitting from the cracks,” Eloise says.

“I’ll mention that to Salbert when he and Professor Fields come by later today,” I tell her. “Salbert’s heard some stories about that hatch. However, he never told them to me yet–he says they’re too fantastic.”

“That only makes me more curious,” Jane says. "Which reminds me about something else…

“This is something I’ve been wondering about since the two of you first told Louise and me about Daniel’s gnome collection.”
“What’s that?” asks Alice.

“You said Daniel had 529 gnomes. And you said the building inspector, and Erdmann, noted ‘60 dozen’ or 720, gnomes in there; and you mentioned that ‘of the remaining 171 gnomes, six were disguised spies and the remaining 166 were just an extra set of gnomes manufactured at the East End Foundry.’”

“What’s your point, Jane?” I ask, slightly impatient.
“My point is that 529 and 171 total 700, not 720. You failed to account for 20 gnomes that even Daniel did not count.”

I think about this. “Golly, Jane, you’re right…”
“What happened to the spies?” asks Eloise.

“I believe they were in Lake Merritt on a small boat which capsized; apparently they drowned.”
“Shades of Beaver Cleaver’s oilskin kayak,” comments Buster. I’ve noticed him watching old TV reruns with Paul and Eda… :rolleyes:

Alice suggests, “We may want to contact the Oakland Police and the Alameda County Coroner about this, to find out if there were any clues to the spies’ identities, purpose, and sponsor.”
In the distance we hear the voice of butler Fred Moreland, “Professor Walter Fields.”
Fields carries some papers into the room. He sits down and hands copies to Alice, me, Eloise, Lena, and Jane. Buster, for all his intellect and human speech, is pretty much illiterate. :stuck_out_tongue:
Fields says, “We have gathered more information on that sinister group of five from Sikes-Potter’s organization. Locke, in fact, seems to be a Maine native whose real name is Dana Holbreigh, and who, according to the League’s dossier, is apparently deceased—died six months ago, it seems, in a botched hold-up at the Courier-Times.”

“That’s the newspaper across the street from the Morpheus,” I comment.
“And Knattey—that may be the real name—is in trouble with the Canadian government for use of fraudulent immigration papers. They got some info on Knattey from the INS about two years ago.”
I still don’t know who of the group could have been Alice’s lecherous uncle. I have no reason to suspect either of Eda’s brothers and I know nothing at all about Paul’s family, besides his uncle Matthew.
Now Lorna and her betrothed Jock arrive, along with Stan Brown and Joe Bradley. Joe goes immediately over to Jane and kisses her passionately. I am amazed he can get that close to Jane with that ample bosom she has… :wink:

Mr. Fields defers to Stan and Joe, and not because, like Jock, they are big and brawny. Both men were involved with Jack Sharp’s renovation of the Morpheus.
“I have more to tell Alice and ______ about the five people we’ve been discussing, the five whom Sikes-Potter had mustered. But I believe you, Stan and Joe, can solve a mystery about a hatch in the silver storage area of the Morpheus and a ‘greelite’ [sniglet]—an eerie green glow from that point.” Stan had been the foreman on that job; Joe was Jack Sharp’s architect and building director. All three men, like their wives, have been longtime friends.
Joe Bradley, he of the steel-gray radar eyes, speaks. He has a rich voice like that of Art Gilmore—the announcer for the TV series Highway Patrol.
Joe, with his buxom wife Jane sitting on his lap—and likely to contribute something in her own right—tells what he and Stan saw:

“Emeralds,” he says.

“Emeralds?” I say incredulously. “You mean there are more gems hidden underneath the theater?”

“Yes, along with sapphires, rubies, and diamonds–but mostly emeralds,” Joe answers. “That’s the source of the green glow.”

“Why didn’t you tell us about them earlier?” Alice asks.

“Well, I should qualify that when Stan and I saw the green glow, we didn’t realize they could be emeralds,” he explains. “It’s only when we later heard some rather obscure tales about what’s beneath the Morpheus that we thought they could be gems. And even then we didn’t give those stories much credence until we opened up the storeroom and found that hatch in the floor … with the green glow emitting from cracks.”

“So where else did you see the green glow besides there?” Jane inquires.

“Just before we began restoring the Morpheus, Stan and I were in the street on the west side of the building,” Joe says. “We had the theater’s blueprints in hand and were trying to figure out exactly where the utility connections were underneath the surface. At that time, the city had blocked off the sidewalks around the Morpheus because they had deteriorated to the point where it was dangerous to walk on them–there were chuckholes and deep cracks everywhere. It was getting dark and we both wanted to quickly finish up the job before one of us tripped on that urban obstacle course and broke our ankle, leg, or neck. In the area where the gas main supposedly went in, there was a wide deep crack that seemed to go down several feet. We stared at it for a few seconds appalled over how the city could so completely neglect this block that a new Grand Canyon could form in the sidewalk. It was then that we saw it: a faint green glow coming from deep in the crack. We didn’t know what it was. We thought it could’ve been some sort of optical illusion created by light from the setting sun hitting the crack at a certain point or some problem related to the the gas main. We never thought they could be the reflection from gems hidden in a secret passage. We didn’t hear that story until a couple months later and, by that time, the sidewalks had been fixed so there were no more crack or chuckholes.”

“What story was that?” I ask.

“As you know, the Morpheus that was just restored was built in 1892,” he begins. “It replaced the first Morpheus that burned down in 1889 due to a broken gas main. That theater was constructed in 1866 and was lit by gaslights. Now, before that, the block was occupied by some business establishments that were not exactly reputable. You know–saloons, pool halls, brothels, opium dens, and maybe a law office or two.”

“Another anti-lawyer joke,” Professor Fields comments. “I saw that one coming the second you started listing the unsavory businesses that used to be where the Morpheus is.”

“Anyway, the opium dens all had legitimate ‘covers’ on the street level for their actual business which was conducted in the basements below ground. These opium den basements were part of an extensive network of underground passages that connected them with virtually every part of the city–a literal underworld. And most of it was controlled by one man named Red Nicholas (but nobody was sure if that was his real name).”

“I’ve heard that name before,” Jane says. “He was supposedly one the people who put up money to build the first Morpheus.”

“He did,” Joe continues. “However, that fact was never revealed until years later due to his notorious reputation. Red Nicholas made his fortune in piracy, prostitution and–especially–the opium trade. He could speak fluent Chinese and that enabled him to have connections to the opium traffic that other Westerners lacked. But even his linguistic adroitness in Chinese paled when compared to his chief asset (if you can call it that): his ruthlessness which managed to be both clever and cruel even for a criminal.”

“I believe I just heard the name ‘Red Nicholas,’” a voice says. “There’s a pip for ya.’”

I turn around and see Salbert enter the room.

“I was just telling the story I heard about what the green glow underneath the Morpheus is,” Joe says to Salbert. “And what Red Nicholas had to do with it.”

“Continue,” Salbert says. “I also have some things to say about the matter when you’re done.”

“Nicholas loved to collect rare gems–emeralds in particular,” Joe states. “Even though they weren’t the most valuable, he had an obsession with emeralds. Now, as you might expect, these gems were acquired through less-than-lawful means. So, Nicholas took measures to keep them hidden from all but a few intimate ‘business associates.’ When they built the first Morpheus in 1866, Nicholas stashed his massive collection of gems in the sub-basement and passageway that the theater was built over.”

“What caused the emeralds’ green glow?” I ask.

“Later, when they installed gas lighting sometime in the 1870’s, Nicholas supposedly saw to it that some gaslights were put in his gem storage room,” Joe explains. “Although I find this part of the story hard to believe, even after the fire of 1889 and the rebuilding of the Morpheus three years later, the gas line and gaslights were still operating. The green glow is the reflection of the gaslights off of the emeralds.”

“What happened to Red Nicholas?” Alice asks.

“Nobody knows–sometime in the 1880’s, he just seemed to disappear,” Joe answers. “There were a lot of rumors–Asian thugs got him, he changed his name and moved to England or the Pacific Northwest or Australia or Hong Kong or Tangier, or he committed suicide after getting some sort of rare disfiguring illness–but nothing that could be proven.”

“I think I can tell you more about Red Nicholas and his legendary secret gem room,” Salbert says. “Of course, I should tell you that until a few days ago, I thought the stories were too wild to be believed–tall tales told by senior DXM to gull new DXM members. So I should warn all of you that what I’m about to tell you may challenge your very concept of reality.”

“Oh, get on with it,” Buster demands. “I’m a talking cat. I can take whatever fantastic story you tell.”

“All right,” Salbert begins. "What I heard is…

“…Nicholas was indeed fabulously wealthy. In fact, he, unlike most of the founders of the Morpheus, had managed to strike it rich—and I do mean rich—in the California goldfields, one of the first to do so after the original discovery at Sutter’s Mill in 1847.”
The rest of us are baffled. Buster asks, “What does this have to do with the gems?”

“Plenty,” says Salbert, no stranger to prospecting himself, or to striking it rich. “Nicholas was smart enough to sense that his discovery would attract a gold-hungry mob. So—strangely enough—he gradually replaced the gold he’d found with various gems. If my sources are correct, he knew gem dealers all over the world. He kept a lid on the information and bribed dealers themselves to keep quiet. And here, he kept company only with silver prospectors from Nevada, to distract people from his gold hoard even more. It worked. By the time he disappeared he’d disposed of all of his gold, all over the world, and had replaced everything with gems. And the only precious stone he did not have was jade. He grew up in the Yunan Province of China, where imperial jade or jadeite can be found, but he apparently had an allergy to it, of all things. And to hide his operations, he did much business in the Indian city of Jubbulpore, where it’s said some of his records can still be found, though when India became independent around 1947 such would have become more difficult.”

“I wonder if the DXM League can contact people in India, or even in Jubbulpore, to verify this,” I comment.
“It’s easier than that,” says George Galloway, who had just come into the room when Salbert mentioned Nicholas converting his hoard to gems. “I own a publishing concern in central India. I have operatives there who can track things down easily and, so far as I know, there is no government prohibition, nor religious barrier, from them conducting a search for Nicholas’ records there.”

Alice and I have been fascinated by this story right from the start.
“My Dad has a brother named Alfred, in Sheffield, who deals in gems,” Alice says. “Maybe he could help us with this.” This is the first time I’ve heard of relatives on Paul’s side of Alice’s family, other than his uncle Matthew, the rector.

“I’ve dealt in mining operations in southwestern Arkansas,” says Joe. “You know, where the only diamond mine in the fifty states can be found. I’ve dealt with deadly gases such as fire-damp, so I can furnish equipment to provide safety around such gases.”
“You don’t think it’s from gaslights?” asks Eloise.

“Let’s face it,” Jane comments, “What gas company would allow its product to be burned without payment or record of consumption for more than 110 years? One way or another the gas is leaking from something, though obviously not in dangerous amounts. It’s more like gas from a pilot light on a stove.”
Since Jane first sat on Joe’s lap, in such a way that she faces to Joe’s right, I’ve noticed that her pupils are getting larger. And he blushes now. :o :slight_smile:

“Well, that’s about the whole story,” Joe concludes. “We can poke around and see the best way to get to the gems. Meanwhile the rest of you can go ahead with your rehearsals in the theater; hey, that’s a perfect cover. And I certainly know one singer who can perform…”
Jane suddenly squeals loudly. Apparently Joe just goosed her. :smiley: She thrusts her ample torso forward, snapping three buttons off her blouse. She wears the largest white brassiere I have ever seen. Buster steps on the buttons as Jane stands up and Joe stands up too, right in front of his wife. Buster steps away and Eloise picks the buttons up and hands them to Jane, who now holds her blouse closed with one hand.

Alice glances at me. I’ve been looking furtively at this. But I’m not staring… "_____, you’re blushing!” she says. As much as I admire a rack such as Jane’s I won’t be “male-chauvinistic”…
Fields continues. “We’ve continued the effort to identify—by their real names—the five people associated with Sikes-Potter…”

“And you think one is already dead,” says Buster.
“Very likely. And we still haven’t dismissed the possibility that one is a relative of yours, Alice.”

She nods glumly. :frowning: I grip her hand snugly. “I have some inkling of this—that damned cousin of mine—Kurt Todd, and his deadly produce bombing missions.” Alice returns the favor, leaning close to me and gently removing her glasses—and mine. She does this sometimes when she sympathizes with me. When I sympathize with her I usually just cup her cheek with a palm, and look straight into those big brown eyes if we’re face to face. Here we aren’t. She puts both sets of glasses in her purse for the moment.
Just then the light goes on, on the fax machine in the room. Eloise turns to it, waits for the machine to spit out the one page, and reads it. She’s not unduly concerned, just baffled. She hands the fax page to Jack; he reads it, and hands it to Professor Fields, who takes some notes before he gives it to Alice. :confused:
He says to the others, “I guess you’ll want to resume the rehearsals right away; and Stan and Joe will want to start poking around for access to the gem hoard. Meanwhile, we have some legal stuff to attend to.” Alice and I, sitting together, redon our glasses and read the fax message and nod. This is unusual news, to say the least.
The message:

*To: Walter Fields, Alice Terwilliger, _____ ______

From: Sgt. Bob Long.

We found this drawing in Carol Cott’s cell. Call me after you take a look at it and tell me what it means.*

Below the message is a copy of a drawing of a fairy-like woman with a diaphanous dress and gossamer wings who looks just like Alice except that her large dark eyes have a distinctly sinister cast to them. With the woman are two other figures whose features cannot yet be made out because they are uncompleted. However, one definitely looks male. Underneath the unfinished picture, in faint lettering, is the word “Beware.”

“I didn’t know Carol Cott was an artist,” I say to Alice and Fields.

“Are we sure she did this?” asks Alice who looks especially uncomfortable over what she’s seen. “And does it mean anything?”

“Well speculation will only take us so far,” Fields states. “Let’s call Sgt. Long and find out some more information.”

With that, we walk to the library so we can use the speaker phone there. As I shut the door, Professor Fields dials Sgt. Bob Long’s number.

I hear a it ring once before someone picks it up.

“Sgt. Long here,” says the voice on the line.

“Hello Sgt. Long, it’s me Professor Fields. We just got your fax and wanted to talk to you about it.”

“That is a strange drawing isn’t it?” Sgt. Long says. "Let me tell you what else we found in Cott’s cell…

“…There was a pentagon drawn as sort of a central figure. Cott, or whoever, drew it to be in the exact center of that wall; there were even sketch lines that had been partially erased. The pentagon had a date in it, 03-12-03, and below that were two dollar signs.
“At one point of the pentagon was a small cross, along with the word, in rather small script, ‘mortis’—m-o-r-t-i-s.”

“That’s Esperanto for ‘died,’ I comment. Mi mortis, ŝi mortis, ili mortis—‘I died, she died, they died.’”
“Oh, that’s what it means,” said Bob. I had tried to interest him in Esperanto shortly after we finished school, to no avail; he was just about to enter the police academy.
So far as I had known, nobody among the characters I contact now knows Esperanto except for Salbert. Now I guess Carol Cott did too…:rolleyes:
“And at another point was a small circle with an X in it and the word ‘kin.’ A tiny circle with an X also appeared near the figure that supposedly resembled Alice. What do you make of that?”

Alice says, “It probably means that one of the five has died, as we supposed, and another is a relative of mine.” She is glum here; I stay close to her and snugly clasp one hand. As if the image of her with devilish eyes wasn’t bad enough…
I answer Bob. “The figures would seem to represent Alice, me, and Gwen Berry, I believe,” as the three persons who, to Lemoyne’s distressed knowledge, have wings. (Lemoyne knows nothing of the DXM League, let alone whatever powers its members possess—including Sergeant Long’s own psychokinesis. And Lemoyne certainly wouldn’t know about Hermione’s wings.)

“As for the pentagon, the little cross probably represents one of Sikes-Potter’s cabal of five who is likely deceased, and another who may be related by blood to Alice. And the dollar signs below today’s date may allude to the financial backing the five were providing after Lemoyne’s arrest and after Sikes-Potter’s will was voided.”
Sergeant Long continues. “And there was a drawing of a phone, with a small word balloon, drawn the way a comic book will indicate a voice relayed electronically, with ‘Ed McMahon’ written inside it, and the date 01-09-03.”

“That rings a bell,” answers Alice. “That’s the day Cott called us and Randy James nearly dispatched us…” She looks like she’s about to break down. I hold her close.
“Well, obviously, we can’t include the incident out in the valley in our reports,” says Bob. “However, the fact that Ms. Cott phoned you and you mentioned Ed McMahon during the call would be enough to indicate that she drew that on the wall, or someone else did that at her direction. Which isn’t too likely since she was alone in that cell.”

Now Lena Martínez and Mary Blonda approach the phone. Lena is in green slacks and a white pullover; Mary wears her usual ill-fitting blouse and well-worn jeans. Obviously they want to talk to Sergeant Long.
I knew the shapely Mary had become a DXM member at Mr. Galloway’s urging, but I didn’t know why, unless it was her apparently super-high I. Q. that did it. All I knew was that her husband Bob Blonda and their three kids loved her deeply. :slight_smile: But now I see something else, which Mary seems to be doing in answer to my unspoken question. She vanishes—leaving her clothing suspended in midair. But I still hear her voice—she says to me, “I know what you’re thinking—‘Hmmm…Claude Rains.’”

“That’s it exactly, Mary—???” I am startled by the voice whose source I can’t see. But the posture of her long-sleeved white blouse and old blue jeans suggests she is saying, I’m here, ______, but you can’t see my body.
Mary and Lena huddle for a moment to discuss something. Then Mary, her body still invisible, comes on the line to give Bob some pertinent information. Alice and I are still “huddled” close together, since the news about the drawings in Cott’s cell had been particularly disturbing to her. I almost start humming “That’s All I Ask of You” from Phantom of the Opera. :frowning:
“I’ve done research on those other three people linked with Henry Sikes-Potter, and…”

it seems as all of them–Argo Rank, Minerva Calley, and Maya Kalp–having been laying pretty low for last few months but that doesn’t mean they haven’t been active. They’re just using their flunkies to do their dirty work."

Mary partially reappears. Her body is visible but still transparent. Obviously she can control her degrees of invisibility and seems to be showing off for everybody.

“Do you know if they’re all working together?” Sgt. Long asks.

“That’s unlikely,” Mary answers. “Rank, Calley, and Kalp are too competitive and power-hungry to form an alliance. In fact–and you must realize this is only my opinion–I think that one of them is behind the strange deaths of Cott, the bikers, and that plumber. Another (if not the same one) was also behind that absurd assisination-by-cardinals plot against ______ and Alice.”

“What else do you know about them?” Sgt. Long inquires.

“All are from England,” she begins. “Maya Kalp got rich from real estate investments and is a child of immigrants from India; Minerva Calley comes from British nobility, is sometimes referred to as Lady Minerva Calley, and is heavily involved in the New Age movement; and Argo Rank made his fortune in the import and export business.”

I quietly ask Alice, “Do you think you know any of these people?”

“Actually, when I was working for the British government (that is, British intelligence), I came across Argo Rank’s name a few times,” she whispers. “He was investigated in connection to some drug-running and money laundering schemes but nothing every came of them. As for the others, I vaguely remember reading about Lady Minerva Calley in a society page news article years ago and I think Maya Kalp bought some property near our family’s house in London.”

Alice didn’t have to be so discrete with me about her job with British intelligence;I’ve long suspected she did some spy work in the past.

Lena steps up to the speaker phone. It’s her turn to talk.

“Sgt. Long, this is Lena Martinez,” she says. "I work as a schoolteacher in Las Vegas and I was going to mention that I’ve come across some things down there having to do with Argo Rank and Maya Kalp. It seems…

…both of them were involved in attempts to skim profits from gaming in Vegas and its environs. But what they touched pretty much turned to clay.”
“Make it a little plainer, Lena,” asks the sergeant.

“Specifically, in their efforts to get a cut of the winnings they trod, figuratively, on the toes of older people in the Laughlin area. They were harassing groups of seniors coming in from California and Arizona and trying to crowd the seniors out of their access to the casinos. They caused so much disruption that the casino owners and the Gray Panthers in the area organized a group to protect the seniors and keep Kalp and Rank and their thugs away. And the pair also ran into trouble from organized crime, strangely enough, but it was a common cause—Kalp and Rank had been disrupting legal gambling operations in the Las Vegas area and hurting the tourist trade, and ‘muscling in’ on the territory of crime syndicates. So now their name is mud in the State of Nevada. They also posed as a married couple in bunco schemes they cooked up. They represented themselves as Mr. and Mrs. Adam Kork, and tried to trick out-of-towners into ‘putting up bail’ after getting the unsuspecting visitors tangled in a swindle involving fake policemen and staged arrests. This worked fine until they met a real smart cookie, a young woman who turned the tables on them. Kalp and Rank posted bail and skipped the state. So far as I know they’re still in deep trouble if they ever return to Nevada.”

“What was the young woman’s name?”
“Olivia Short,” Lena answers.

Eloise Sharp reacts stiffly. She and Olivia have been at enmity for years; Olivia is a tramp through and through while Eloise is a homebody—married 25 years and having 15 kids. On rare occasions the two women have come to blows, Eloise calling Olivia a “sex fiend” and Olivia retaliating with “brood mare.” Now it looks like this will have to be put aside; Eloise senses—and it’s my ESP that detects this—that she now has common cause with Olivia, who after all is a friend of mine, not that I am interested in sharing a bed with her.
“So Kalp and Rank are on the lam. I’ll check the police records for them. What about Calley?”

“Oh, she doesn’t even have the chutzpah of Kalp and Rank. She has had to lay low since she was a young woman in the late Sixties; one of her distant relatives was William Calley, implicated in the My Lai massacre in Vietnam. But she is a rather giddy woman, sort of a Barbara Cartland type. And yes, she’s a writer. I have a feeling she has had more smarts, and is the least malicious of the five, with a sense of humor. She got a degree in astronomy from Brown University in Rhode Island, of all places. Where any of these people are is anybody’s guess, although I think they’ve stayed out here on the West Coast for several years. I’m going to see if they have any connection whatever with Pula Kinlai, that little guy who presided over the disappearance of Lemoyne’s company, and Clell O’Houlihan. That’s because all five had once been members of an organization in England that supported ‘little people’—midgets and dwarfs. That’s all the information I have now.”

I mull over this. “I think I can get some information from my sister Janet in Utah, who has had a long interest in genealogy. She just might have a source of information on Sikes-Potter’s cabal.” I make a mental note to send my sister an e-mail. Bob, Mary, and Lena ring off.

Now I hear Fred’s voice, “Mahster Robert Blonda and family.” Shortly after this Bob and the three Blonda kids, April, Bobby, and George, come into the room. Mary reappears fully and walks to her husband, embracing him. Bobby and George politely greet the elders. Lena, Jeanette, and Amy coo at the sight of the small boys and Mary introduces her kids to them. :slight_smile:
Alice and I, meanwhile, go to a nearby room to write down some data. I’ll want to talk to Bob Long again, and contact Janet about Kalp and Rank and the others.

Now we sit in a large overstuffed chair in the anteroom, Alice on my lap. She is wearing clothes she borrowed from Mary Blonda; Eloise offered to put Alice’s own clothes in the laundry. Fifi brought the blouse and jeans from Mary; Alice had put them on before Lena and Mary called Bob Long. She looks particularly appealing in the oversized clothes—Mary is about five inches taller than Alice and has the same proportions. As we sometimes do, we take our glasses off and are face-to-face.
“I hope your sister can get more information on that group…the more we know the better.”
“Indeed,” I say, kissing her on the cheek. She draws my free hand close to her bosom, outside the oversized blouse. “We sure seem to be getting an emotional workout…”

“I like this emotion most of all,” she says. Impulsively she reaches down and unfastens two of the upper buttons on the blouse, showing her deep cleavage. Right now, however, it’s broad daylight and we are visitors; we’re content just to cuddle and embrace, and take a break from our concerns about the bad guys, the band, and the Morpheus and its silver trove.

Still, I start to feel sexually aroused. But just before I suggest we sneak away and return to Bedroom No. 35 we hear a familiar voice. Daniel, his impudence still obvious, stands in the doorway, obviously without urgent business or reason to be present. It’s as if he has nothing better to do than interrupt our tryst—but still he says, “Oh, Lissie…”

can I talk to you privately about something?"

“I guess,” Alice says with irritation.

“Oh hi _____,” Daniel says to me. “If you don’t mind, could let Alice and I be alone for a moment. This is kind of a family matter.”

“Why not?” I answer as I walk out of the anteroom back into the library.

There, after Jack Sharp gives me permission, I use the computer in the room to e-mail Janet about Kalp, Rank, and Lady Calley. I also tell her to send her response to Alice’s e-mail address and to call me on my cell. However, when I click the “send” button, I hear a male voice in the anteroom yell, “Ha, I knew it!” Curious, I rush back and see Daniel with a smug know-it-all grin on his face and Alice with her blouse halfway down her back so her wings are exposed.

“You have them too fairy-boy?” Daniel snidely asks. “Are they bad-ass black leather ones or are they all delicate and pretty like Alice’s?”

“Daniel, don’t be a wanker,” Alice scolds.

“Yes I do have them,” I inform Daniel in a pissed-off tone. “And they are like Alice’s. What’s it to you anyway?”

That last defensive question was unnecessary but his attitude was instantly grating on my nerves.

“Oh nothing,” Daniel responds while stifling snickers. “You and Titania just go back to what you were doing–flitting around the forest, exchanging kids’ baby teeth for change, making cookies in your secret hollow tree.”

“Really Daniel,” Alice scolds. “I try to help you with an intimate family problem and you respond with gloating and ridicule.”

“What ‘intimate family problem?’” I ask.

“Daniel, while in the midst of foreplay with Hermione, discovered she has wings like ours,” Alice answers as she pulls her blouse back on and buttons it up.

“Tell the world will you!” Daniel barks as his mood shifts suddenly to anger.

“Well, when people try to help you with problems you think are embarrassing, you shouldn’t pay them back by making fun of them,” Alice testily says. “And, by the way, it’s the Keebler elves–not fairies–who make cookies in their hollow tree.”

Daniel pauses for a moment and sighs. It’s obvious he’s seen something very strange–something strange that happens to be attached to both his wife and sister–and he still hasn’t gotten his head around it.

Calmed down, he says to us…