This thread has led me down some rabbit holes. I’ve long thought you could do a very good movie based on Oswald’s actions, and there are some things that would make for very good scenes.
Two that stand out: By the time Captain Fritz returned to headquarters following the shooting, he knew from the Book Depository supervisor, Mr Truly, that an employee named Lee Oswald was missing. Truly had given Fritz the home address he had on file, which was the house that Marina, his wife, was staying at in Irving.
So, he comes in and tells some officers that he wants them to drive out there and pick him up.
“Captain,” they say “We don’t have to. He’s sitting right over there.”
By that point, police had already arrested Oswald in the movie theater. They had converged on the area where Officer Tippet was killed (a civilian - former WWII vet, naturally - had run over, found Tippet dead, and used the radio in Tippett’s car to radio dispatch) then found a discarded jacket a short distance away, then got a call that a nervous looking man (who was trying to hide as police cars with their sirens blaring sped up and down the streets) had ducked into the theater without paying.
There’s another compelling scene. Police had come to the Irving house with a search warrant. Oswald by that point had told them he kept his stuff there, and Marina and Mrs Paine (the owner of the house) had confirmed that it was in the garage.
As they are in the garage, Ms Paine is translating the cop’s questions into Russian for Marina. The cop asks if Oswald owns a rifle. Paine says “no”, but when she translates for Marina, she’s surprised to hear Marina say “da”.
Where, the cop asks? Marina points to a rolled up carpet that Paine is standing on. The cop walks over and picks it up. It goes limp; there’s no rifle inside.