[QUOTE=ITR champion]
As it happens I don’t agree with the claim that science is the best method for finding out about the world. I think that humans have many channels for experiencing the world. Besides the scientific, there’s the personal, the moral, the ethical, the artistic, and the spiritual or transcendent. To say that one is better than the other is to misunderstand what these channels are and how they stand in relationship to each other.
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I would argue that science is indeed the best method for finding out the truth about the world. The other ways that you describe may be important on a personal level, but they don’t say much about how the universe actually works.
I would like to point out that this in no way diminishes the value of these other ways, ethical and moralin particular, it’s just that they don’t really EXPLAIN much.
[QUOTE=ITR champion]
To his credit, Dawkins never precisely says ‘science uber alles’, yet the entire book gives the impression that he leans in that direction. One point that really stood out for me was when he dismisses the argument that the existence of God is outside the realm of science. He asks why theology should be able to answer the question, and why science should not. The answers seems straightforward to me: it is a question within the area of expertise of theologians, but not of scientists.
There’s also a broader answer though, which is that God includes attributes in all realms of being, not just the scientific. Thus a scientific approach to the question of whether God exists can’t fully address the question. As a metaphor, consider a scientific approach to analyzing a symphony. Science might tell us the rate at which the violin strings vibrate, but it can’t tell us anything about the artistic merit of the sympony.
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The question of the existence of god is perhaps the area of expertise of theologians, as you say, but that doesn’t mean that they have really proven anything about the existence of god throughout the centuries.
As for your symphony metaphor, it is true that science might not be able to explain the artistic merit of the symphony, but it can say that the symphony EXISTS.
In his book Dawkins isn’t arguing the quality of the symphony (to continue the metaphor), he is arguing that since noone has ever played it, or even heard it, it probably doesn’t even exist.
(as always when debating in english i feel that I can’t express myself as clearly as I would have liked to. Hopefully I’m not being too confusing here.) ![]()