Wow, am I the first Doper to see and post about Grindhouse?
I caught a noon showing, and thought it totally kicked ass. HILARIOUS, but legitimately so instead of ironically wink-wink nudge-nudge funny. Wonderfully over-the-top in the best way.
“Planet Terror” is definitely the better of the two films in that it revels in everything “Grindhouse” is supposed to be, and takes the “missing reel” and scratched-up print thing to the max. The audience was HOWLING when the first “missing reel” came up at the exact moment you didn’t want it to (I won’t give it away). Rose McGowan actually comes across as truly cute and cuddly instead of ice bitch queen for the first time - you just want to pet her, even as she’s mowing down zombies with the machine gun leg.
I thought Eli Roth’s trailer (“Thanksgiving”) was the best out of the shorts, and Zombie’s was the weakest. I kept waiting for some sort of stinger with Zombie’s, but then it was just over. “Thanksgiving” is so ridiculously great that the guy sitting next to me said, “They actually need to make that movie now.”
“Death Proof” is a weird, weird movie in many ways. I didn’t realize that Zoe is Uma Thurman’s stunt double in real life - it made more sense with that in mind. Kurt Russell was great, especially toward the end when he starts letting the tough guy act drop - completely hilarious and weird. But, yes, it’s basically two very long, very uninteresting conversations that don’t do much to develop the characters or serve the plot in any way sandwiched between two incredible car chases. Though I loved it, I feel like Tarantino didn’t really give in to the “Grindhouse” thing enough - even down to the fact that his half doesn’t wallow in the scratched print effects of “Planet Terror” and only pops up with that one (in)convenient “reel missing.” “Death Proof” also feels strangely timely instead of retro or removed from time like “Planet Terror” - characters are sending text messages and referencing current events left and right in a way that just screams “2007.” This impeded the “Grindhouse” effect in that it tied it to current reality rather than allowing the audience to suspend their disbelief enough to pretend that it’s some lost seventies trash cinema classic.
Also, Rosario Dawson is the cutest living woman.
Be a dear and bump this thread instead of starting your own when you see it later today!