True. I guess it’s better to be known and remembered than it is to have to pass your 8x10s around to the talent agents. “Yeah, I was PORCH DICK, the irredeemable villain from WALKING DEAD! So, you wanna hire me?”
Weirdly, I feel that Seth Gilliam is a better actor; he’s got more presence in his scenes, even when he’s not doing anything. And in the comic, Gabriel gets better. But in the comics, we do not kill and save the same characters. I find it hilarious that in the comics, Carol is long dead, and her daughter SOPHIE is still very much alive…
My recording cut off at the very end. There were a couple of scenes after the credit roll; one was Michonne taking her sword off the wall, but the next one didn’t make the cut. What happened?
It might be his big break. I remember an interview with actress Mae Clarke where she said that a scene in Public Enemy, where James Cagney pushed a grapefruit into her face, was a scene that most casting directors remembered, and they would then cast her for their film. Hollyweird is weird.
The wolves reset the trailer trap, and the red poncho guy was now a walker - spray painted on the car that Aaron and Daryl holed up in was WOLVES NOT FAR.
When Rick started laughing after waking up, that was my first thought. That he was laughing in a Shane-esque “These idiots should have killed me, not put me in time out.”
So I guess the point of the trap is people get lured to the depot, realize it may be full of canned goods, open a truck, get eaten by zombies and drop all their stuff, Wolves reset the trap and collect said stuff.
Seems like a lot of trouble for a few knapsacks of stuff.
So on Talking Dead - the actor who plays Morgan explained his scene in the beginning - honking the horn. When I saw that I clearly thought that Morgan was trapping the two dudes in the car, and luring more zombies over as payback for their trying to kill him.
In the Talking Dead, the actor explains that he puts them in there and honks the horn to make sure there are no zombies around. WTF? That is completely opposite of how I interpreted that scene. I’m going to call foul on the directing/editing of that one.
Could be that he was seeing if there were any walkers around so he knew how careful he needed to be. No walkers show up for a minute he’s good to go, a few show up he’s got to be a lot more careful to get away. Though I thought the same thing, that he was giving them to the walkers.
I saw it as he was giving them a chance…he’d lock them in the car, summon walkers and leave. If the Wolves were smart enough, they’d figure a way out of it…if not they could rot.