Re-reading The Little Sister got me wondering if it were time for Hollywood to have another go at Raymond Chandler. With new paperback editions of his books appearing just last year, and the Library of America treatment a few years before that, the popular interest is certainly there. More than that, I think we’re due: I think our current generation of filmmakers needs to put its unique stamp on Philip Marlowe.
Which book would be the right choice? The Big Sleep has been done definitively by Howard Hawks, and the disastrous attempt at a remake (let’s set a Chandler novel in London … brilliant idea) suffices to warn off anyone foolhardy enough to try to top perfection. Farewell My Lovely was done very well with Robert Mitchum in the title role, and you’re not likely to find a better Moose Malloy than Richard Kiel. Robert Altman took a shot at The Long Goodbye which I haven’t seen, though I understand it’s not all that faithful to the Chandler style. That leaves The High Window, The Lady in the Lake, the Little Sister, and Playback. (No, it does not include Poodle Springs.) My vote would probably be for The High Window, as it’s got some great humor and a fine, nasty villainess in Mrs. Grayle.
Most importantly: who should play Marlowe, and who should direct? I think for a “classic” approach to Marlowe, you can’t do better today than Robert Patrick. As for a director, I’m frankly stumped … though no one better suggest Tarantino.