-New Books: 01_11_06.
It was a great week for comics.
Ellis & Williams. Desolation Jones #5._Excellent issue. Williams gives us a chilling glimpse of the “desolation test”, and shows us he’s as fine a painter as Alex Ross,…
… This is soon followed by another shift in rendering style for cleverly staged recap (I hardly noticed the pause) and then some wonderfully composed action. What makes Williams work on this title so impressive is the way his inventive mix of styles accents the action, rather than distracts from it. As for Jones, whatever abilities and skills he might have, his greatest asset is that he’s an ornery son of a bitch who won’t (or can’t) say die.
Wood & Burchielli. DMZ #3._ Though it might seem a bit anti-climatic, I found Matty Roth’s quiet choice made for a surprisingly strong end to the first arc. Great dialogue and layout, simply and effectively coloured.
Azzarello & Risso. 100 Bullets #68_Cutting away from the strange desert comedy of last issue, this month we get welcome glimpses of DeMedici, Vasco, Nagel and Graves shared past, inter-cut with a deadly gambit played out in the present. I had to read it over to get that part of it straight, and I haven’t even touched on the Minutemen. Satisfyingly dense and complex: the book is back on track.
Swift and effective characterization make Oeming, Foreman, Friodolfs & Grady’s Ares #1 one of the most involving ‘first issues’ I’ve read in a while. I found it interesting how Foreman’s packed pages of panels pull you into “Mr. Aaron’s” deceptively simple world, making him terribly sympathetic, despite the fact he’s the embodiment of slaughter.
(I also couldn’t help but wonder if this is a re-worked proposal for Gaimen’s Destruction.) High Marks.
A fun mix of seventies attitude and semi-comic action scenes lends Gray, Palmiotti & Evens Daughters of the Dragon #1 issue a colorful Tarantino-esque feel. Misty Knight provides the attitude. (She also dominates the action scenes. I hope Colleen’ martial arts sequences are just as involved.)
Evans’ sense of composition and pacing that reminds me a lot of European adventure comics. While s/he(?) may push the protagonists’ sex appeal, s/he(?)’s never obnoxious about it: the girls just happen to have those proportions.
The last spash page made me think of just how dangerous some of the old martial arts book villains could be back in the day,…
… and in intense moment of “geek nostalgia”, I wanted to see another two-man seventies action team, MI-6 hard man Black Jack Tarr and Shang Chi show up and add to the havoc. ( See: http://img.photobucket.com/albums/v642/connorhawke/tarr.jpg )
Overall, a good start to promises to be a fun action story, akin to Dixon’s Connor Hawke stories in Green Arrow as well as his run on Birds of Prey.
Slott & Kolins manages to pack a surprising amount of pathos into their story for She Hulk #4.. Though the resolution of the tale struck me as a bit tidy, in the way episode of TV series sometimes feel, it suits the single-issue comedy format of the series.
Pfiefer’s tone & Weston’s storytelling complement each other perfectly for an
effecting and melancholy close to “Blaze of Glory” in Batman: Legends of the Dark Knight #199. (The protagonists hang-dog mug resembles a tired Nick Nolte.)
I’d love to see these Weston work on another Batman, similarly claustrophobic Batman story. I love his take on Gotham City.
A rare unsatisfactory issue, the coloring in Ennis & Crain’s Ghost Rider #5. was way, way too dark, and the story felt a bit too “by-the-numbers”. I may have read too much Ennis to get into throwaway stories like this: it’s def. beginning to look ‘forgettable’.