You’ll have to wait until I get home. If you think I’m gonna have the voice of somebody shouting insincerely yet enthusiastically about premium beer coming out of my computer during ordinary office hours, you’re nuts.
Nukeman, I assume you mean my user name? It comes from Marion Zimmer Bradley’s “The Mists of Avalon.” If that’s where you thought it came from, then I must add that I do not identify at all with the character or what she did – I just liked her name.
No, no, Uke, you have the wrong idea. It’s actually a sedate NPR-like discussion of industry trends. Nothing that would be inappropriate for a work environment. Frankly, I find it a bit dry.
Ahem. My voice. It does all sorts of stuff depending on mood.
I can do the 900 line deep, soft and sultry bit.
I can do ultra professional. (I like playing with phone people, if I let a call through to my mom she usually gets asked about her private secretary. After they realize I am not my mom.)
I can do a great valley girl. (Its the blond in me)
I do childish, I do animal (purrrow) I do just about anything that won’t damage my voice.
In general its pretty soft and furry, light ish. I sing soprano with a deep lightness, like a good folk singer’s voice. Or a folk singer with operatic training.
Knew you were all dying to know.
I envisions people’s textures more than ‘voice’ per se. Unless I have heard their voice. (paddy woo, DRY)
silent rob is fuzzy, with a solidarity under it.
Uncle Beer is round and sturdy, like a marble covered in suede.
BlackKnight is forming like clay, twisting sculpture
matt_mcl is smooth with elegance but not stone strength