What is the most mainstream movie to not have any music?

Something that has always fascinated me is the role that background music plays in movies. So many movies, if you took the music away, they would be totally different movies. Almost every movie I have ever watched, the music is such an integral part of the movie that altering it would drastically alter the movie.

I really hate bombastic movie music (except in Star Wars, maybe). And I’ve always believed that, in general, especially right now, there is too much music used in movies, and that many movies would be greatly improved if they had cut back a little on the use of music (both “incidental” scored music and pop music used as background music.)

However, I can think of only a tiny number of movies without any music.

And the only remotely mainstream film with no background music is Dog Day Afternoon. Okay, there is the opening credits with Elton John’s Amoreena, but aside from that, there is no music other than the sound of Maria’s transistor radio when she is pulled from the bathroom and the news channel’s ditty when Sonny turns on the TV to watch himself.

So even that one just barely counts.

The film Scum, about a British “Borstal” (reformatory) starring Ray Winstone has no music, but that film is far from mainstream.

Does anyone have any idea as to the most mainstream film (or films) with no music?

Cloverfield didn’t have any music. The ending credits were even silent for the first minute or so.

Hitchcocks ‘The Birds’ I pretty sure didn’t have any music.

I’m thinking a lot of film noir has no music.

I’ve a spin-off question for you. Name some movies with no women/men.

janeslogin - March of the Penguins

StG

I don’t recall any music at all in No Country for Old Men.

ETA: …there was music over the end credits.

No women - Ice Station Zero.

I quote from IMDb Trivia for The China Syndrome:

I feel perfectly qualified to quote that, because I wrote it. :slight_smile:

Did Schindler’s List have a soundtrack?

You are your own cite!

Interesting! did the sounds actually come from those devices, or were they dropped in, punched up after the fact? If the former, I wonder how they were miked.

Ok, then by that measure, all the conforming Dogme 95 films count, with Festen (the Celebration) as one of the more famous examples.

It would also include pretty much all musicals

Word.

There’s no question that the Stephen Bishop number is not true “source” music. The others are all very well done, but were doubtless enhanced in post-production. I won’t pretend to understand all the possible ways it could be done, I’m just going on my presumption that anything I can hear clearly in a movie that’s not the main characters speaking or an explosion probably got tweaked a bit. :wink:

Glengarry Glen Ross comes close to not having any women, but there is a woman at the Chinese restaurant who takes Shelly Levene’s coat, I think.

Also, John Carpenter’s The Thing.

No Escape, starring Ray Liotta, had no women.

Master and Commander.

The Women, 1939.

12 Angry Men, 1957.

And it’s 2008 remake, at least…

until the very end.