[QUOTE=jackelope]
Pretty much anything from Drunken Master II (released in the US as The Legend of Drunken Master) would get my vote. For example, the final fight scene, in which Jackie drinks some kind of industrial solvent to get his alcoholic superpowers going (think “Popeye and spinach”), then whips a bunch of ass. I also liked the fight under the train early in the movie.
And of course, They Live.
[/QUOTE]
Ditto on the foundry fight at the end of DM2 - I remember seeing that at the UC Theatre in about 1994, the original HK release (not the cut & redubbed US version), absolutely blew everyone away.
Jackie Chan’s HK stuff is just astounding for fight choreography, including Police Story 1 and 2 (3 isn’t bad but not as jaw dropping), Project A 1 and 2, Miracles (especially the fight in the tea shop) and Armour Of God. Armour Of God 2 is fun but not as spectacular (amusingly enough it was released in the US as Armour Of God, while the original was later released in the US as Armour Of God 2).
Steven Seagal filmed some very good fight scenes early on - whatever I may think of his personality he definitely knew his stuff and worked with a likewise knowledgeable stunt crew.
Over the years what I’ve come to appreciate is that a well-choreographed fight scene is like a great Fred Astaire dance number - pull the camera back, let the actors fill the screen from edge to edge, keep it well-lit so that you can see that they are actually doing the work themselves, and have absolutely minimal number of cuts. It’s graceful. Compare that with many typical Hollywood fight scenes which are dark, cramped, many fast cuts (swing fist - cut - fist hits - cut - victim’s head spins - cut - victim flies through air - cut - victim lands - cut) and the differences really stand out.
Some US swashbucklers have been great:
The Three & Four Musketeers (Michael York films)
Scaramouche - as noted before, the final swordfight at the opera house.
The Mask Of Zorro - the 1998 one, particularly the fight at Don Rafael Montero’s house between Zorro, Montero, Captain Love and assorted henchmen.
Anything with Basil Rathbone - he was evidently a very accomplished swordsman.