I am enough of a David Bowie fan but not a rabid deep fan.
I am enough of a David Byrne fan but not a rabid deep fan.
For some reason this performance just wrecks me. Perhaps it is the layered generations of civilians singing with love, pain, joy, honesty and soul. Perhaps it is what David does with David’s composition.
Dylan’s Lily, Rosemary and the Jack of Hearts and in particular, the line near the end: Lily had already taken all of the dye out of her hair. I’m not quite sure why, but it has since I first got that great album. It’s a long song, and I love the narrative story-telling and all the drama, but the way he sings that one line gets me.
Braddah Iz’s version of What a Wonderful World does that to me. I put together my brother’s memorial service, and the service opened and closed with that. I still can’t hear it without my eyes welling up.
I can think of two, offhand. “Being Alive” from Company (situational: I saw the show just about the time I had an engagement fall apart), and Springsteen’s “The Rising” once I realized what it was about.
Two for me. First, the live version of Van Morrison’s “Listen To The Lion” on “It’s Too Late To Stop Now”. The studio version already was very intense, but this version is 9 minutes of drama. And at the finish of the song, a woman in the audience cries out “All right!” like after a catharsis. This cry gets me every time.
The other is Kurt Cobain’s rendition of the folk classic “Where Did You Sleep Last Night” (In The Pines) on MTV Unplugged. Here, you see a tortured man, giving all he has to give and making the strongest statement of his whole career. In a shabby cardigan, sitting on a chair playing acoustic guitar. A few months later, he was no more.
Paraulas d’amor, by Joan Manuel Serrat. Perhaps the most tender love song ever sung. Still gets me after… how many years? This version is from 1968. I was a little boy, and Serrat was soooo young.
And 54 years later, the song starts at 2:30
The simple orchestration of the original feels better, but the spectators singing as one in the second is great too.
Oh my gosh, I’m sorry I didn’t do a Search before starting this thread. I dunno. 21 years… Mods, if you need to kill this one and merge into commasense’s, please do.
But for some reason it always reminds me of a good musician friend who committed suicide some years ago. To this day we don’t really know why: depression is a horrible disease. And if we’d spotted it earlier, we might have been able to get him some help.
RIP Rob: there was so much more music left to make…
A wedding in an episode of the brilliant Better Things featured the song Martha, written by Tom Waits. (Bette Midler also performed it on her one and only appearance on SNL.) A man named Tom Frost reaches out a past love about their relationship from 40 years ago. In a few short verses we get blissful memories (“Days of roses, of poetry and prose”) and the reality that time has passed (“I feel so much older now/ And you’re much older too/ How’s the husband and how’s the kids? / You know that I got married too.”), ending with “And I remember quiet evenings/ Trembling close to you.” It’s a beautiful memory of how wonderful love can be, even if our lives and loves have changed.
Can We Still Be Friends, by Todd Rundgren, kind of wrecks me. There’s no deeper reason for it, as it’s played no part in my life, but when I hear it I remember just how it feels when your heart is broken.