I remain unconvinced. The SHING to me is too much like a sword being drawn, whereas the SNIKT is faster, more like a spring-loaded blade, with the KT lending weight to the fact that claws have been shot to full length. Sort of.
Plus, who do film-makers and FX guys think they are to mess with something this iconic?
Growing up the 1992 animated series, I always think of them as sounding like the stereotypical movie sword unsheathing (which doesn’t sound like that in reality, but you’d recognize that SHRRRING! sound anywhere). Doesn’t really go with what I would read a SNIKT as sounding like, but it took me far too many years to realize that.
Right. The KT part is important, exactly like the sound of a switchblade or a bolt being shot on a big door. I also feel that using the SN instead of an SH somehow vividly implies the slicing of the skin involved.
And I never realized until this moment that I had strong feelings about this one way or another.