[QUOTE=mswas]
The most unfortunate thing about this is that so many people think that Hip Hop culture is nothing more than Pimps and Hos. It’s so much more. It’s about asserting yourself when you are being pushed down. Keeping it real does have a meaning even if that’s one of the most abused phrases ever. When you meet someone who really is ‘street’ and get to know what that means it’s pretty far from the juvenile portrayal it gets in the media.
Street philosophy is very deep, and it addresses some of the most primal issues of man, that we are not as far from the jungle as we like to think. It addresses power structures and the black market, and its place in society. It is about a way that some black men have found to become CEOs and Kingpins. It’s not like Bill Gates is less of Gangster than P. Diddy. Sure Diddy beat the crap out of an editor at The Source, but Bill Gates ripped off what Apple ripped off from Xerox, and convinced a bunch of old suits at IBM who didn’t quite get his program to allow him to license his software independently of their hardware. That’s Gangsta without the oversized Jersey.
If you live in New York you travel the personal dream of one of the biggest gangsters of the 20th Century, Robert Moses. That’s what Hip Hop is about, it’s about being a part of that, being down near the bottom where you can feel the pulse coming up from the Earth, and expressing that with what little you have. It’s pouring your heart out on the subway with your friends beatboxing.
Maya Angelou’s “I know why the Caged Bird Sings”, speaks out the soul of Hip Hop. It’s not just about “putting D’s on this bitch”.
I think that’s why people hate wiggers, because they can’t feel that beat coming up from the ground, they don’t feel it in their heart. It’s not that being black gives you instacred because a poser is a poser. Hip Hop is all about the struggle to survive. It’s about life at it’s most raw. You can listen to Eminem’s first couple of albums and you hear him unapologetically spitting out all of the vile venom that filled the first part of his fucked up life. Most people don’t disrespect Eminem, he’s got credit for being real. He came up battling in the clubs, he can bust out a rhyme extemporaneously.
It’s the not being real that makes a wigger a wigger, and the only reason that it is different from a black person of the same character, is that they are easier to spot.
[/QUOTE]
While I do appreciate the obvious sincerity and earnestness with which you posted these thoughts, I feel I need to point out in them something that is confusing to people outside of the culture you’re describing but who are looking for reasons to like or respect it.
Twice in your message you seemed to use the words Gangsta or gangsters as a sign of respect, admiration, success, etc. (If my assumption there is inaccurate, please correct me; I’m doing my best to interpret). That being said, your post seems to focus primarily on the point that many ‘outsiders’ to the hip-hop culture (regardless of color) often associate with it the negativity of pimps, ho’s, and the like. To me, though, as someone who knows essentially nothing about ‘street’ life or culture, it seems contradictory to hear someone defending the surreal sort of beauty associated with strife and struggle that so many other groups of poeple have taken in as part of their backbone as a culture, but at the same time use words like ‘Gangsta’ in doing so. When I think of ‘Gangsta’, I don’t think of someone just trying to make it in the most honest and hard-working way they know how, or of someone who respects the people around him and would never do anything to harm another person. I think of a ‘Gangsta’ as a derivation of ‘Gangster’, and unlike the rest of the United States I don’t sit around idealizing the violence and viciousness and the ‘code of honor’ associated with organized crime.
If the poet you referenced in you post would ever deign to describe something she liked or respected as Gangsta, please let me know. All sarcasm aside, I’ll take that and do my best to synthesize it as something I didn’t know before that I now do, and use it to try to understand black culture a little better. But if you think she wouldn’t, if you think you’ve perhaps displayed a bit of dichotomy that is unique to a ?younger? generation of black kids trying to take the best of the two black worlds they know and blend them into something they can call their own and be proud of, then take my thoughts as an honest expression of what is a big part of what’s confusing many ‘outsiders’.