The novel and movie of the 70s titled “Looking for Mr. Goodbar” seem to have no connection that I can see to a Hershey chocolate confection. I haven’t read the novel or seen the film, so maybe the reference is made clear there, but in reading about the novel and film I don’t get the Mr. Goodbar reference.
Mr. Goodbar is one of the places she hangs out looking for sex, at least in the book. It was a comfortable place with old gumball-machines for table lamps and one wall covered entirely with a shellacked montage of candy wrappers.
You’re a kid. It’s Halloween. The lady down the street holds out a bowl with a variety of Hershey’s products (the tiny ones) and invites you to take one. Won’t it be a Mr. Goodbar?
It was something of a triple pun. The place, of course. The candy bar and she was looking in the bars of the time for a good man to be her “Mr,” although claiming all the time she was above all that.
It is great, I think. It’s pretty faithful to the book if my memory serves me. I went through a brief fascination with the book, movie, soundtrack and the true story it was based on. Besides the movie as a whole being good, IMO, Diane Keaton is at her most beautiful (or maybe second to Reds from a few years later), the young Richard Gere is fun to watch, a young Tom Berenger is terrifying to watch, a young William Atherton is interesting to watch, TUESDAY WELD is in it! and the soundtrack is absolutely killer. At that time I thought I hated “disco” and was firmly in the “DISCO SUCKS” camp, yet I owned the soundtrack (on 8-track because my car had an 8-track player) and listened to it over and over. They really did use the cream of the crop of songs.
I like the scene where Theresa (Keaton) is sitting at the bar reading The Godfather when she first meets Tony (Gere) and he riffs on it a bit, saying something like “I’m going to make you an offer you can’t refuse.” Of course, Keaton had already starred in The Godfather Pts 1 & 2 by that time. I can’t remember now if Theresa was reading it in the book or not, or if the filmmakers threw that in as an in-joke.
The real murder, book and movie was a powerful reminder of the dangers of singles bars in the 70’s.
Those were the great days before Aids and the pill made casual sex possible. STD’s were around but a shot in the ass cured them. The Singles scene was really big in the 70’s. At least that’s what I heard while I was stuck in elementary school. Time I got old enough for hooking up the Aids scare had hit.
Another good movie about the 70’s single scene is An Unmarried Woman. A recent divorcee enters the singles scene and the movie does a good job showing how shallow and artificial it was.
It was an ugly, depressing, deeply anti-sexual film, kind of of a piece with Joel Shumaker’s “Hardcore” from 1979, showing sex as something that drives you from one ugly, nasty situation to another. If this is the nature of your sex life, I feel for you. And if sex was really as bad as portrayed in these films, the population problem would consist of people having sex often enough to have a population.
And the name? A pun. “Looking for Mr. Good Bar.” Looking for Mr. Right (i.e., Good) in a bar.
Hardcore is a great movie, even if the premise is somewhat flawed. It has great aesthetics, and also - ironically - contains probably the most detailed explanation of Calvinism in any movie ever made. Anything with George C. Scott is worth seeing at least once.