For this grand, majestic, squalid, astringent, screwball, poignant, and consistently hilarious film, the very definition of a “cult classic”…
For any & all things “Withnail”: wr./dir. Bruce Robinson, the actors, the music, the settings, the Criterion DVD, the related websites, late-60’s London, the heavy substance abuse, the gay-panic subtext, the British-isms, and, last but not least, the screenplay, performances and direction.
For newbies & hopeless obsessives alike – finally, a Dopers thread, just for us!
Lemme introduce myself, and I’ll try to keep this from sounding completely like a 12-step group intro:
I first saw the movie about 3 years ago, and have seen it at least 20 times since; bought the cropped & edited VHS U.S.-ed. video; bought Richard E. Grant’s memoir “With Nails”; lurked on the “Paul McGann Estrogen Brigade” and “Withnail & I” fan websites; have plied this film on unsuspecting family members and friends; have co-written, with a couple of friends, a clutch of songs for a never-to-be-completed “Withnail & I: The Off-Off-Broadway Musical” [scary truth: we were only half-kidding!]; have posted my $.02 review on this movie elsewhere; and have now bought the Criterion [TM] DVD – and it’s fantastic.
One of many details I just groove on: when you first see Danny the drug dealer, the way the camera settles on him but immediately pulls back, as if it’s recoiling in horror.
Or the “FAIRY”-brand cleaning products [??? – they never cleaned up anything!] in the kitchen, which I’d never been able to see clearly before in the old VHS version. Period props, presumably, but why the “Fairy” brand, eh? More evidence of the clever is-Withnail-gay subtext… In the old “artist intentionality” debate, I usually favor the “he knew it, he fully intended that” side. Robinson’s a genius.
Or the loopy, vertiginous, circus-y “caliope” theme, adapted throughout with different instruments, tempos, etc. for different moods…
So, favorite bits? Personal “Withnail” stories? Let’s have 'em!