Or “rises like a leopress”. (female leopard? Is that even a word?)
“I think I know I mean a “Yes” but it’s all wrong”
or
“I think I know of thee, ah yes, but it’s all wrong.”
When I first saw your post, it rang a bell, and I actually repeated it about 20 times until I got the meter right, and then I knew what it was. But then I had to look it up to see if it was correct.
When we did a thread like this eons ago, someone posted a comment that I’ll never forget, because I crack up everytime I think about it (so I can’t take credit for the funny – sorry, can’t remember who it was):
Manfred Mann’s ‘Quinn the Eskimo’:
“…jumping queues and making haste just ain’t my cup of meat”
Reading all the awful snippets of songs in this thread makes me wonder why people pick on Neil Peart, the man who wrote the lyrics to The Analog Kid and Different Strings and Middletown Dreams and Workin’ Them Angels and The Way The Wind Blows and Witch Hunt and Time Stand Still.
Come on folks. Turn up the music and smile, get carried away on the songs and stories of vanished times. Relax and have a nice cup of meat.
Ha! You guys reminded me of the greatest video ever, which I’m now listening to: Alanis Morissette - My Humps. The whole thing is great, but 2:20 is the clear highlight. For the purposes of this thread the whole song works, but the best bit is probably:
Whatcha gonna do with all that breast
All that breast inside that shirt?
How so? It’s basically a repackaging of the idea that the only thing to fear is fear itself. A message we’d do well to heed right now, actually. Switch out the Russians with terrorists and the song is more relevant than ever. Growing sense of hysteria indeed.
Just copied/pasted from the web. I think it probably is “loves a lot of things”, but there’s no way I’m listening to the song intentionally to check. Not that I can tell which would be worse…
First, you imagine wrong. Second, it’s pretty clear from the rest of the song that he isn’t talking about busting out of a drunktank.
To the best of my knowledge, there were only two prisons in Dublin at the time that song was written, so if there was going to be a jailbreak it would pretty easy to narrow its location down.
when I feel like a reject from a freakshow
picking up the white trash from the sidewalk
wishing on the deathstars in the night sky
turning on my TV watching drive-bys
But I hate all of those, this last one to me falls into the “so bad it’s good” category.
*Don’t you know in the quiet of the night
Is when the snake is in the crawlin’
And the moon starts to glow then disappear
When the time is really right
Is when the centipede is crawlin’
You’ll be crying in the night so many tears
And you’re crawlin’ like a centipede *
Yeah, we had nothing at all to fear from the USSR, despite the fact that they grabbed half of Europe after WWII, violently putting down any protest, eg Czeckoslovakia, murdered more people than the Nazis, supported violent revolutions across the world, supplied arms and support to terrorist groups around the world…naw, they were just sweethearts.
:rolleyes:
How about this from Lee Greenwood’s “God Bless the U.S.A.”:
I’m proud to be an American where at least I know I’m free
And I won’t forget the men who died who gave that right to me
Let’s see, where to start? First, “an American” is not a location, so “where” is the wrong preposition. Then there’s “…who died who gave that right…”, which is ungrammatical (although to be fair, at least one site gives the wording as “who died and gave that right”). Finally, which right is that again? I guess it’s the right to I’m free.
OK, that’s all proofreading. Still, it’s a rather impressive set of errors in such a small space… it just comes off sounding high school. Sorry, Lee, but that kind of sloppy writing is not among the things that make me proud to be an American. (Then there’s the little matter of “men who died”… yeah, I know it was mostly men, but still, can’t we remember the women too?)