[QUOTE=niblet_head]
I worked for the parent. There have been changes since then in the company.
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Ah GC. The fella who signed Happy (I still don’t know his name) was very nice to her but he left to work at GC and that’s when her problems began. She credits him for stepping in and helping her after she was dropped, but doesn’t give details. I always assumed it related to getting her masters back, because as far as I know she owns her own music.
[QUOTE=niblet_head]
Beyond that, I don’t know the answers to your questions, and I wouldn’t answer them on a message board even if I did (that’s NOT intended to sound snarky, it’s just me being overly cautious and discrete. No offense intended.).
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No offense taken at all. I completely understand. After all these years, you’re the first person I’ve met on the net who worked for Samson/Gold Circle, and I sort of went over the top, so the fault was mine. Your responses have been good enough to tell me that there were people at the company who liked Happy and her music. That’s good for me to know and remember.
[QUOTE=niblet_head]
I will say that I’m glad to see people out there in the world know who she is.
[/QUOTE]
Cool of you to say. Even though her name doesn’t ever come up in the outside world, she does have a small, but worldwide, fandom. Her internet mailing list has been going strong since 1991, with hundreds of members. She’s obscure but does have a fanbase.
I’ve been a fan for 18 years so I’m pretty much the go-to person. I had a lot of advice for Samson when they first signed Happy since I was at the apex of her fandom, but they never listened to anything I said. Not that I have an ego about it, but I could have helped. For instance, she was signed in 1997, at the very beginning of the mp3 revolution. I urged them to get in on it, by putting a couple of songs on mp3 and releasing them into the wild of the Internet. They could have been right there at the forefront, with Happy, McKinley and others on the label, who would have been noticed simply because there weren’t that many high-quality artists on mp3, and certainly no Samson-sized or bigger labels who supported the technology, which would have gotten Samson and their artists written up all over the place, but instead, Samson acted like one of the big, paranoid record labels, and would only release songs in that lame “mp4” (which was a bogus name, since it had nothing to do with mp3s) propriatary format. A format which died very quickly. Happy trusted Samson to know what they were doing. Too bad for her.
Anyway, I know you can’t respond to any of that, even if you knew anything about it, but I had to get it off my chest. I still shake my head at the memory.