I’m not exactly receiving them, as I’ve had them for over a month now, but they were this year’s gifts. They’re all DVDs, and can be divided into two camps:
The Opera Camp:
Die Fledermaus, the Strauss operetta, performed at Glyndebourne. I like Fledermaus, it’s immensely fun. I confess that I’ve not actually watched it yet, but I have seen it on Discovery HD (same performance), so I know I’ll like it when I do. Two-disc set.
The Fairy Queen, Purcell’s semi-opera, performed by The English National Opera (actually, that’s the only performance available on video, so no real need to say that). The plot might be so vague and confused that it’s virtually non-existent, but The Fairy Queen contains some of my absolute favorite music by Purcell. It’s a very modern performance, with minimal scenery, outlandish costumes, creative props (I doubt old Henry thought to include a magic washing machine back in 1692), and a tremendous amount of cross-dressing. I love it. Thomas Randle doesn’t sing Oberon very well (he’s not wretchedly awful, but he’s definitely the weakest), but the others are fantastic.
…and on the other side of the field,
The Silent Camp:
“The Garbo Silents”, a collection of three Greta Garbo films: The Temptress (1926), Flesh and the Devil (1926), and The Mysterious Lady (1928), plus the fragment of The Divine Woman (1928) that still survives. All of them are well accompanied, and each has a most interesting and entertaining commentary track. Also, The Temptress and Flesh and the Devil both have their alternate slightly-happier endings as extras. My only complaint is how few films are included. Garbo made more silents than she did talkies, this isn’t an adequate sampling. I’d have liked to see A Woman of Affairs included, for one.
“D.W. Griffith Masterworks”, a substantial box set of Griffith films, of course including Birth of a Nation (1915) and Intolerance (1916), and also Broken Blossoms (1919), Orphans of the Storm (1921), and a great number of shorts. Lots of extras, but none all that exceptional. I’m disappointed in the accompaniment, it’s little better than what you might find out of a $1 DVD bin.
Different From the Others (1919), the first gay-rights film and probably the first movie to have an openly gay sympathetic character, full stop. It’s my first viewing of the film (everything else I’ve mentioned so far I was already familiar with), and it’s amazingly up-front. Compared to other gay-themed silents I’ve seen, it doesn’t at all opt to take a subtle approach or wuss out at the end. It impressed me enough to make a website about it, after finding a dearth of information on it already on the Web (I’m hesitant to give a link–it’s not a business at all, but it might still come off smelling spam-ish–but do ask me for the URL if you care). The accompaniment is just a piano, but it’s fitting and not distracting (and not just a loop of electronically played public domain classical pieces, I’m-looking-at-you-Griffith-Masterworks). No extras to speak of.
Now, I suggest imagining the two camps standing on opposite ends of the field and preparing for battle. One attacks with song, the other returns with a volley of pantomime. Who will be victorious?
Added with the stuff I got myself this year, it’s been a good haul, I’d say. 