[QUOTE=Subway Prophet]
Cap-6 vs. Xena == “First Cylon-on-Cylon violence”? …What about the first scene in the pilot, where a basestar blows apart Armistice Station? Or when Caprica-Boomer shoots a Six and rescues Helo in episode one?
[/QUOTE]
Good memory, but I don’t think either of these counts. Both deaths are fully-aware sacrifices by the model in question.
The Six on Armistice Station knew it was about to get destroyed, which of course raises the question of why she bothered to board. What exactly did she accomplish? It’s not like she was the first to “know” a human; other Cylons had been running around the Colonies for months by that point. Maybe she was just curious, and pulled rank, or whatever the Cylon equivalent might be, for an opportunity to meet a human for herself. Her question, “Are you alive?” suggests that this might be her motivation.
In the first episode, that Six knew she was going to get shot by the Eight when she went up to Helo; it was a fake rescue to get Helo to run off with the Eight.
A better exception would be at the end of season one. Remember when Helo and Sharon-Eight were sneaking around the complex to steal a Raider? Helo was stunned to see another Eight, and then Sharon-Eight shot her. Maybe the Cylons think a different human killed that one, since that Eight was looking at Helo when Sharon-Eight shot her from a different, possibly unseen, angle.
I’m also going to agree that Ron Moore is absolutely not trying to argue any sort of justification for suicide bombing as a legitimate tactic in war. This show has never been that simple-minded. Rather, it’s being presented as a natural consequence of the desperation of the situation, as something that happens, for good or bad, nothing more or less. And it spreads out its characters along the spectrum of agreement and disagreement. Tigh is fighting a war, with a rational, plausible motive (keeping the toasters distracted will make Adama’s rescue attempt easier), using the only tactics he has available to him. Duck was irrationally distraught. Roslin hates the Cylons but cannot bring herself to accept the death of innocents. The Cylons themselves are hypocrites for condemning the tactic, since (as Mr. Prophet so astutely observes) they themselves used a suicide bomber back in season one, a reminder of which would no doubt piss them off to no end. Tyrol is horrified by the tactic but goes along with it because he doesn’t really have any other options, though he argues for limits to its application. Even Baltar, unquestionably one of the show’s villains, gets to score a small but unambiguous moral victory at the end of his scene with Roslin, when he challenges her unwillingness to face the implications of defending the resistance in their latest turn of strategy. And so on.
Anyone who tries to find any kind of moral absolutes in any of this is simplifying the show’s point of view and bringing their own prejudices to the debate table. The genius of the show is not that it precisely mirrors our own world, allowing us to rest comfortably with the “sides” we’ve already chosen, but that it reflects our world in a scrambled fashion, placing fully-drawn characters all over the ideological map, exposing our unacknowledged biases and forcing us to detach our likes and dislikes of the characters as people in order to examine their beliefs and choices and decide for ourselves where our own individual moral boundaries fall. None of this is new; recall how Starbuck defended Admiral Cain in her eulogy at the end of “Resurrection Ship.” Right? Wrong? Irrelevant. Human.
As I watched the premiere, my viewing companion and I barked and shouted in glee, knowing that the show was going to piss people off to no end, because it associates so-called “good guys” with behaviors we commonly attach to our so-called “enemies.” Galactica rejects those black-and-white categories, and that kind of simplification does the show a grave disservice.
None of this says suicide bombing is “right,” whatever that means, and to assert that the show is arguing such a view, or taking the side of Muslim extremists who oppose American values, is missing the point entirely.
Once again: best frakkin’ show on television.