I was just reminded by a thread about horses about one of my favorite comic action westerns – The Scalphunters, with Burt Lancaster as a fur trapper who is forced to trade all his pelts for a black man played by Ossie Davis. Burt plans to sell Ossie off after, of course, Ossie helps him get his pelts back. Ossie is no fool and asks what’s in it for him …
But it struck me that humor and slavery are a kinda rough fit. I can’t think of many comedies with funny masters and slaves running around. In fact, the only other one that comes immediately to mind is A Funny Thing Happened On the Way to the Forum. I suppose you could count I Dream of Jeanie because she seems to consider herself Major Nelson’s slave.
But I’m sure I’m missing tons of them. Name me some and tell me something about them.
Are you counting comedies that were written and performed back when slavery was still socially acceptable? Greek comedies like Aristophanes’ Frogs, Roman comedies like Plautus’ Pseudolus, not to mention 19th-century American works?
There was Roman Scandals, with Eddie Cantor. I’m stuck for one set in the American South, though–excluding moments of slapstick or comic relief in dramatic movies.
Hattie McDaniel’s role as “Mammy” in “Gone With the Wind” was comedic. Yeah, the movie wasn’t a comedy…but the role and the performance were (to some degree, anyway.)
There was an episode of the Chappelle Show where he went back in time and confronted a slaveowner. And Django Unchained wasn’t a comedy, but it had some humor.
Though Monty Python’s Life of Brian is set in the Roman Empire, where 30 to 40% of the population were slaves, I can’t think of any speaking characters in the film who are slaves. I think the only slavery reference is when Brian’s mother Mandy mentions how his father, a centurion, promised to take her to Rome where she would have “a house by the forums, slaves, asses’ milk, [and] as much gold as I could eat”.
Up Pompeii was a UK comedy series set in Roman times with a slave (Frankie Howard) as narrator/hero. It had a spin off film. Lots of double, indeed, single, entendres.