Rather mixed results from the audience, some gave a standing ovation, some sat down and politely clapped. Some sat down and looked disapprovingly at the event.
He did “name names” to the House on UnAmerican Activities Committee (HUAC).
So what do with these old-timers that might have great artistically, but have questionable political/racial histories?
Well, some of it was truth and some made up, we will never know the extent Hollywood was infiltrated by Commies. Certainly it was more than people think today, but not as much as was alleged.
I have no argument with HUAC or the FBI investigating Soviet agents working within the government. But I don’t see any reason why they needed to investigate communists working in Hollywood. As far as I know, there’s no reason why a communist filmmaker can’t make a movie which advocates for his political ideology. Just as there’s no reason why a filmmaker who’s a socialist or a liberal or a conservative or a libertarian can’t do the same.
Yes, but the names he named were already known, so he didn’t really harm anyone. Several of the people he named told him to name them - why should his career be ruined, too?
Because the entire concept of the US government going after people for their political views is wrong, and anti-American.
Granted, I wasn’t around then. But that has always been my understanding of the objection to the HUAC. It was witch hunt for wrongthink that was approved by the government due to fears from the Cold War, and assuming “believing communism was better than capitalism” meant “Russian operative.”