TOS
The first series is lucky in that many of its most dated stylistic touches — the endlessly recycled incidental music, the gauzy close-ups of the Chick of the Week — have become camp and so remain fun to watch. However, as pointed out already, many of the stories were just plain dumb. “Piece of the Action,” anyone? And that one where Kirk is possessed by a woman … uueerghhh …
TNG
Wesley. Alexander. In fact, pretty much every child on any Star Trek series talks and acts like a refugee from a late 50s sitcom, only without any jokes. You really noticed it in TNG though; it was almost bizarre how little ability the writers had to imagine what children in a technological future would be like.
With the exception of “Best of Both Worlds,” their season-ending cliffhangers sucked. In fact, they all seemed like fairly obvious and grasping attempts to recreate the excitement that “Both Worlds” had stirred up. They should’ve just left it alone.
I’m far kinder on the regulars than many fans seem to be. I enjoy pretty much everyone, even Riker. Troi I liked the least, but she got better in the last seasons (she was one of the few things that did) when she toned down the would-be sexpot routine and just tried to act like a normal officer.
The last two seasons on the whole were painful. How ironic it didn’t get nominated for an Emmy until it had really started to suck.
DS9
Didn’t stick with it long. For one thing, it’s an ugly looking show. I hate the colors of DS9, the phony gun-metal grey combined with those fugly colors everybody seemed to wear. Who dressed Quark, anyway?
Kira Nerys. Ugh. So grating and unpleasant. I’d rather watch a series with two Trois than one Kira.
Voyager
I had hopes, but this is BY FAR the worst of the Trek series. Everything I hated about it can be summed up in one anecdote. I don’t remember the specifics, but the gist was that one of Voyager’s probes got stuck in the atmosphere of some planet. Another ship came by and told Voyager they were going to steal it. Janeway pursed her little lips and had her officers hatch an elaborate and dangerous scheme to fly into the planet’s atmosphere to retrieve the probe before the bad guys. That’ll teach 'em!
Now, why the HELL wouldn’t you just call the bad guys and say, “That probe is our property. If you make a move toward it, we’re going to open fire on you. You won’t like it. Have a nice day.” Not only did they not do that (and they would’ve had every right to), NOBODY EVEN MENTIONED IT as a possibility! (I’m sorry to be shouting so much. Getting a little carried away here.) At least TNG had Worf to suggest a little ass-kicking now and then. Voyager seemed to embody every stereotype of turn-of-the-century liberalism (and I say this as a liberal): mealy-mouthed, constantly apologetic, almost self-loathing in their unwillingness to impose themselves on anybody in any way.
Come to think of it, I should’ve taken the hint at that early episode when Chakotay doesn’t let Tom Paris take tricorder scans of a gravesite. Because that would “desecrate” the site. Apparently by this time Starfleet’s exploratory missions were conducted entirely by people gazing through viewports.
Enterprise
The theme song. Am I really the first to mention this?
I never bothered much with this one. It had a not-bad premise, but Berman and Braga simply can’t cut it anymore; I had no expectation that it would thrive, and it didn’t.