Game of Thrones 5.06 "Unbowed, Unbent, Unbroken" 5/17/15

Apparently they do now that Cersei reinstated the Faith Militant. During the Targaryen Dynasty they had to stand idly by by as generation after generation of kings openly married their sisters.

Also why we only saw Tommen & Margery in bed after the fact, and he wasn’t in the same shot has her nude body.

Prince Doran made this very point to Ellaria.

That’s same impression I got; and nobody has the slightest clue as to what worked and why she didn’t turn into a monster or die.

She came right out and called Cersei “a tart” directly to her face. It’s obvious that that was in reference to. :wink:

Well Oberyn did get almost the confession he wanted in the end (The Mountain had just enough sense to stop short of implicating Tywin).

It’s been established that females can inherit in the absence of a mail heir, and given all the reference to heiresses I would assume male-preference primogeniture is the rule rather than semi-Salic law. As for the bedding ritual; that’s just a folk custom rather than part of the actual ceremony. Ned forbade his wedding with Catelyn, and it was skipped at Sansa & Tyrion’s.

I wish Tommen had pulled a Joffrey on the Sparrows.

Adultery with the queen consort still constitutes high treason for both parties in the UK; this is most definitely the case in Westeros. It’s definitely the worse crime (though the Faith might consider it a matter for the civil courts). As for the first cousin thing; I doubt that’s considered incest in Westeros (the line seems to be brother-sister & parent-child unions).

The last time we saw Olyvar he was is total fear of this life; not so much this time. And unlike Loras he was well groomed and wearing clean clothes. The Sparrows have clearly used the carrot rather than the stick on him. The High Sparrow also didn’t question him saying with was a squire and omitting the part about being Littlefinger’s bottom bitch. There’s more here than meets the eye.

And Olyvar knowing about Loras birth mark doesn’t prove anything about Margery catching them in the act (His Holiness even included “to the best out your knowledge” to Margery’s oath), nor prove he was intimate with Loras since he could’ve just seen him changing clothes or gotten in 2nd hand from a female whore. Granted Loras loosing his cool and trying to attack him didn’t help his case, but that doesn’t matter since I imagine Loras is going to pick trial by combat.

No, he said Loras summoned him to his chamber and came off as Loras being the seducer.

I think he’d be very eager to return to King’s Landing if Tommen sent him a raven; especially after his exchange with Cersei.

Tyrion never wanted to marry Sansa in the first place and the whole thing was a farce. Plus there’s the whole rebelling against this father who had his first love gang raped in front of him.

First of all, I don’t think that my reaction to this scene comes anywhere close to outrage. I found it troubling and something about it seemed badly handled. I haven’t reached a final conclusion about it.

Beyond that, all I have tried to do is show that there are reasonable explanations for why this particular scene has drawn criticism, as opposed to others. I’ve seen way more of what be called outrage on the other side of this argument.

I am not a proponent of trigger warnings. I trust myself to judge what I think is appropriate. I quit watching The Walking Dead in the third season at least in part because I was finally put off by the explicit gore—I don’t like gratuitous gore fests like the Saw series. (The other reason was that the story no longer could hold my attention.) I didn’t make it far into Spartacus for the same reason.

On the other hand, I watched Rome all the way through and although it has been a while since I have seen it I don’t recall any depictions of rape or violence that bothered me excessively.

Downton Abbey was already getting cheap and soapy and the rape story was cheaply done.

I try to center all my judgments in matters like these on the individual merits of each depiction. Not the fact the rape occurs in the plot but whether it is handled in a way that is justified by the story, enhances its artistic value, isn’t a cheap appeal to prurience, and doesn’t reinforce problematic tropes or stereotypes.

I don’t want to continue the rape discussion anymore. I do not understand the outrage about it compared to all the other stuff that happens in this show. So I am just going to quote a couple people who I think said what I was trying to say.

Now back to the actual discussion of the show. Regarding Arya murdering a child, I think that would fall into the mercy killing category. The father made a point to state how his child was suffering and there was nothing that could be done to save her, I think he knew full well what happens there.

The answer to the question is “drama” and “human relationships”, neither of which are furthered by bricklaying.

We’ve seen far more examples of the literal torture of men than we have rape scenes of women. (And the torture of men has been far more brutal than the rapes of women.) Why is that? Why are people so drawn to torturing men? You know you love watching men getting tortured. Own it.

As for timeliness, torture is a pretty timely issue, at least in the US.

I’m not opening a spoiler thread.

Its a dark fantasy story on HBO. As for Sansa’s reaction, the viewer heard it loud and clear. Reek was in the room, so of course he reacted and his reaction should have been noted by the director. There’s been children crucified, men castrated, whole families throats slit, homosexuals murdered on the spot, a guy having hot lead poured on his head, and many more outrages. This scene is to me just one of many outrages on this show.

I think perhaps we should list out a bit more of these things:

  • Castrations (many, both threatened and already done, Unsullied, Varys, Theon: “If you think this has a happy ending, you haven’t been paying attention”)

  • Rapes, done, offscreen and inferred. Danerys on her wedding night. Cersei near daughters corpse. I assume that the women hunted down and eaten by dogs by Ramsay had probably been raped. I think Brienne was nearly raped too, but it got stopped, but then again, was the “Bear and the Maiden Fair” a better fate? I always assumed they were happening en masse around the Riverlands during Arya’s time, and her being dressed as a boy probably saved her from that fate.

  • Pregnant woman murdered?

  • Children crucified. Infanticide of Roberts bastards.

  • Flaying. Ironborn at Moat Cailan. At winterfell. Theon.

How much have I missed?

I’m guessing this is less about the presence of rape in the Game Of Thrones world, than whether and how much the show puts onscreen… And whether we care about the character.

Anyway, not as if I’d have expected any less of a 5 page discussion on the definitions of rape on threads which typically have massive arguments about riding a dragon (something which hasn’t actually happened on the show so far).

There was something else apart from the rape and the showing of it, about Sansa.

I don’t buy the way its been presented so far.

So, Littlefinger marches Sansa up to possibly one her most sworn enemies, having previously plotted with her, and taken both interest as a protege and a love interest, and just dumps her there to be obviously raped.

Without her own guards.

So he takes Ramsay Boltons word that its all fine, and he’ll not hurt her. Hurt her? Well in the Game of Thrones, marital rape might not be quite the crime we see it as. It might be expected.

So what’s to stop him hunting her down with dogs next? Or flaying being used to get her out of her sulk? Well, perhaps after 9 months.

I’d say that both Littlefinger and Sansa expected this. It is part of the plan. It has to be. LF would certainly know about Ramsay before this. Well, by asking ANYBODY near Winterfell. Or north of Moat Cailin. So this is part of the plan, unpleasant as it is…

Well, yeah.

I find it kind of absurd how many people are saying “How can you object to rape when you didn’t object to X, Y, and Z?!” Obviously people are going to be more upset by violence perpetrated against a character they care about – as well they should be, given that these are fictional characters whose imaginary lives only matter in as much as they are meaningful to the audience.

In fact, no, I don’t think so. The experience of forced sex that you don’t expect, culturally and mentally, can’t be the same experience that forced sex that you accepted in advance deliberately and is perceived as a normal experience by yourself and your culture. In the second case, it’s an expected bad part of life. It has to be tremendously different psychologically.
But anyway my main objection, developed in the “spolied” thread, so I’m not going to repeat myself here, is that this scene probably doesn’t register in the list of the five hundreds worst things happening to someone that have been depicted in this serie. Even if you only include violence to women specifically , there has been much worst (Littlefinger sold girls to be tortured to death, Joffrey used whores as target practice, Ramsay had his former lovers eaten by dogs, orphan kids were abducted for sex slavery…) and nobody batted an eye (well…some did, but they quitted watching the show long ago). So, being so offended at this one after giving a pass to so much repugnant stuff doesn’t make sense to me.

Playing well with the audience isn’t the same thing at all as the audience enjoying the scene (which I, and I think others, understood as “woah! There will be a rape scene in this episode! I love rape scenes so much!” like, say, the way they show nudity because guys want to see boobs).

For instance, I don’t think the audience “enjoyed” the Red Wedding scene, but it’s probably the most famous of the show.

And I disagree even with that. For instance, ISIS is known for the forced marriage of young girls to their fighters. It has been reported, denounced, etc… But the decapitations got more coverage, and more comments by people. And I believe that anyway, what shocked most the modern public wrt ISIS behaviour were two things : the murder of children and the burning alive of this guy in a cage. So, I don’t agree that marital rape has a deeper significance in our society than burning people alive or murdering kids. Which the serie showed aplenty without much objection.

Perhaps by insisting on applying the word “outrage,” you are preventing yourself from understanding.

Of course! It’s not merely the fact that this was a rape that happened in the show. It’s something else about this particular rape.

So back when marital rape was not recognized as a concept in our law—which was not too long ago—it didn’t feel as bad when it happened? Then why did we bother making it illegal (in some places, anyway)?

Perhaps what makes for a good news story from a far-off land is not the same thing that affects our day-to-day lives in a significant way.

Your wish is my command - here’s a show-only, no-book-spoilers discussion of rape on the HBO show: Discuss rape and Game of Thrones HERE - HBO show only; no book spoilers - Cafe Society - Straight Dope Message Board. Please consider taking all such discussions there.

After the credits roll on the last episode of the season, there should be the following brief scene:

A man walks through a busy city street pushing a cart.
“Coooocks! Getcher cocks right here! Cock merchant coming through! Best cocks in Essos! Dwarf cocks, pirate cocks, unsullied cocks - cocks of all shapes and sizes! Coooooocks! Getcher cocks here!”

Fade to black.

I suppose that a merchant of traditional Chinese remedies that keeps in stock various kinds of animal penises is akin to a cock merchant.

So, murder happens a lot in the real world too, so we shouldn’t include it in any fiction. In fact, all fiction should only be about people doing right and proper things, as determined by Ascenray or a committee appointed by Ascenray. Got it.

What do you think? Do you think the experience of a woman who grew up being told from as soon as she could understand what the concept meant that at some point she was going to get married, and then she would have to submit to sex whenever her husband wanted, and that was right and proper and acceptable and virtuous and what Jesus wanted her to do; and a woman who grew up in modern America being told that she had total control of her body and that sex was NEVER ok unless she consented to it, and then she married some guy she thought she loved, and then one night he raped her; are the same? Particularly the emotional/psychological impact?

This:

A poorly portrayed rape was sufficient to make yous top watching a show. I stopped after that season as well but not because of the rape, it just wasn’t that interesting of a show anymore.

In anycase, if I’ve attributed motivation to you that you did not possess I concede I am trying to suss out your thought process. I presume you’ve enjoyed GoT up to this point as you continue to watch the show. Putting these ideas together, it seems to me you are fine insomuch as you are not as troubled by other parts of the show as the rapey parts. That leads me to conclude that the other atrocities portrayed in the show are less troubling to you, hence not as bad as rape.

I think of the rape of Sansa much like the beheading of Ned. Looking back at the events of the show up to that point, it’s fairly obvious what is going to happen. The reason it is shocking and/or surprising is that as a viewer I didn’t expect the show to go that far, in the back of my mind I thought maybe they’d find a way to avert the inevitable at the last moment. Most shows do not have one of their main protagonists get raped and abused as much as Sansa has been. Most shows don’t behead their biggest named actor in the first season. But GoT is not that kind of show. All the indications of what was going to happen to both Ned and Sansa were present, for multiple episodes. The culmination of the horribleness was signaled in advance.

So unless you have an issue with rape being used as a storytelling device at all I struggle to see why this particular occurrence is more troubling than others.

Really? This is what you get from anything I said? I can’t believe this is sincere.

If not that, what did you mean when you said, “After all, fiction is a story we tell about ourselves” in the context of your objections to Sansa’s rape scene? Weren’t you implying that we shouldn’t include such scenes in stories we tell about ourselves?