Great thread. Except for the baseball. yawn
Well, that’s very comforting for you. Millions have different experiences. What do you make of that?
This totally sums it up for me.
We are all racist - you, me, them, black people, white people, Native American lesbians in wheelchairs, whatever - let’s accept it and move on to figure out what that means.
WhyNot’s example of walking a little differently when seeing young black hooded men approach at night is a good one. I had this same experience (and considering that my husband is himself a young black hooded man, I had the same sort of “Oh my god! I’m racist!” kind of shock). I chewed on it for a while and came to the conclusion that, while it was indeed “racist” by any definition for me to fear those guys (especially after it was pointed out to me that, on the whole, black men have much more to fear from white men than vice versa) (a) I am not a bad person for being more frightened, but more importantly (b) to be a young black man in this city means that almost everyone you approach will be a little scared of you.
I (a white woman) have never had trouble approaching strangers for the time, for directions, even for a quarter to use the phone. Black guys can’t do this nearly as easily.
Once I locked myself out of my house on my deck, and had to flag down a passer-by to ask her to go into my house and let me back in.
If this had happened to my husband, he would have been out there on the deck all night. Think about it. If you were walking home from work, and you saw a black guy on a deck asking you to enter his house, would you do it? I wouldn’t.
On colourblindness: it is a nice ideal to have, but it is not representative of the world we live in. To try to be colourblind in a racist world will just result in more racism. You must understand that most young black men, in contrast to young white women, for example, have grown up with strangers fearing their approach. They have grown up with shopkeepers suspecting them of shoplifting, of cops regularly stopping them on the street, of teachers having lower expectations of them, of having their resumes tossed in the bin because of their black-sounding names. If you ignore all this and expect a young black man to act in exactly the same way as a young white woman would, you will be disappointed.
This does not mean that we should not use the same standards to evaluate them. We just need to make sure the standards are right - can this person effectively do the job? (not “does this person effectively sell their skills in an interview?”) Does this person meet these specific criteria? (not “does this person have some intangible quality that we desire, but cannot name?”)
We must stop worrying about who is racist and who isn’t (because even if we could unequivocally label people with one label or the other, we wouldn’t be one bit farther ahead in solving the problem) and spend our time looking at specific examples of racism (e.g. fearing black men on the street) and deconstruct them to see what we can learn. Only once we shed this stupid and pointless desire to label people as racist, and at the same time take it as a great insult to be labelled as racist, can we move forward.
On hip hop: This is a deeply complicated issue because of all the racial dynamics. Believe it or not, there is hip hop music which is
- performed by women, white people, European people, etc
- socially conscious
- not racist or mysogynist
- pleasing to the ear
- not about bling or babes or cars or guns or gangs or egos
- not American or in any way related to America
It (like most “black” music) has its roots in revolution and social identity of an oppressed class. It has been commercialized to an absurd degree, but let’s not allow the commercialized big-label stuff we hear on the radio to judge the entire genre. Those of you who profess to hate hip-hop - how do you feel about The Revolution Will Not be Televised by Gil Scott Heron? That’s hip-hop, just as much as 50-Cent.
The huge majority of what we might consider “decent” hip-hop does not get played on the radio, and so the huge majority of it gets ignored. We cannot ignore the profit motive here: the record companies sell more to the demographic that likes the bling and the gangsta life and the corresponding bullshit. They don’t play the stuff that doesn’t appeal to that demographic. So more of the sh!t gets made because that’s what makes more money, and people like Sarah Jones who make spectacular hip-hop that is directly and specifically critical of the big-money hip-hop gets ignored (at best) and censored (at worst).