I have a workprint on VCD, so I can fill in a little detail, transcription style.
THE BRIDE crosses O REN ISHII off her death list.
Cut to a shot of THE BRIDE putting SOFIE in the boot of the Ferrari.
Next shot is her being dumped at the hospital as described and staff running out to pick up her mutilated body.
Dissolve to a close head and shoulders shot of SOFIE, desaturated and high-contrast for effect. She is clearly still in shock and blinking back tears. She is apparently in a wheelchair and has an IV drip. BILL is standing behind her. (You just see his hands as he makes comforting gestures.)
BILL: Sofie, Sofie, my Sofie, I’m so sorry.
SOFIE: Please forgive my betrayal –
SOFIE: But, still –
BILL: “But still” nothing, except my breaking heart over what she’s done to my beautiful and brilliant Sofie.
CUT TO: Reverse shot of THE BRIDE looking down into the trunk.
THE BRIDE: I’ve kept you alive for two reasons: the first reason is information.
Cut to SOFIE in the trunk.
SOFIE: (In Japanese) Burn in hell, you stupid, stupid blonde. I’ll tell you nothing.
THE BRIDE: (whispering) But I am going to ask you questions-- and every time you don’t give me answers, I’m going to cut something off. And I promise you-- (shouting) They will be things you will miss!
Cut back to SOFIE closing her eyes as she remembers her torture.
THE BRIDE: (Voice over) GIVE ME YOUR OTHER ARM! I want… all the information on the Deadly Vipers. What they are doing, and where I can find them.
BILL: If you had to guess why she left you alive, what would be your guess?
SOFIE:Guessing won’t be necessary. She informed me. She said I could keep my wicked life for two reasons.
CUT BACK TO REVERSE SHOT OF BRIDE SPEAKING INTO THE TRUNK:
THE BRIDE: As I said before, I’m allowing you to keep your wicked life for two reasons-- and the second reason is so you can tell him, in person, everything that happened here tonight. I want him to witness the extent of my mercy… by witnessing your deformed body. I want you to tell him, all the information you just told me. I want him to know what I know. I want him to know I want him to know. And I want them all to know, they’ll all soon be as dead as O Ren.
FADE TO BLACK
TITLE CARD: Written and Directed by Quentin Tarantino
Some more credits go by, with soothing Zamfir pan-flute on the sound track.
Cut to a shot of a plane, apparantly flying back to the USA.
Close shot of THE BRIDE’s hand writing DEATH LIST FIVE at the top of a blank scribbler page and underlining it.
The next shot is interesting-- A medium shot of her writing, taken from across the aisle. Again, she has her samurai sword beside her. This time, though we see that there is another samurai sword in the foreground, belonging to whoever is sitting across the aisle from her.
HATTORI HANZO: (Voiceover, in Japanese) Revenge is never a straight line.
Cut to Hattori Hanzo sitting crosslegged, in a flashback to his address presentation of the sword.
HATTORI HANZO: It’s a forest. And like a forest it’s easy to lose your way… to get lost… to forget where you came in.
Cut back to THE BRIDE’s notebook. She is writing: (3) – Budd
Dissolve to the Stetson-wearing Budd, squinting into the sun and speaking to someone off-screen.
BUDD: That woman… deserves her revenge. And we deserve to die.
Cut back to THE BRIDE’s notebook. Next line: (4) – Elle Driver
Dissolve to Elle, smoking and speaking to someone on the phone.
ELLE: She must suffer to her last breath.
Cut back to THE BRIDE’s notebook: THE BRIDE puts down her black pen and picks up a red one, with which she writes: (5) – BILL
Dissolve to overexposed shot of THE BRIDE in better times, looking up with a slightly wistful smile.
THE BRIDE: How did you find me?
BILL: (Off screen) I’m a man.
THE BRIDE’s smile broadens and she looks away.
Cut back to the shot of the disfigured SOFIE, closer to tears than ever. BILL rests both hands on her shoulders.
BILL: One more thing, Sofie: Is she aware… that her daughter is still alive?
Fade to black – Roll Credits.