Well, most of the people working in entertainment do belong to unions. And they believe in solidarity.
Perhaps you should start a thread on Why Unions Suck…
Well, most of the people working in entertainment do belong to unions. And they believe in solidarity.
Perhaps you should start a thread on Why Unions Suck…
Repeating this.
Only people registered at the LA Times can access that story.
That’s weird…I tried it again and got the registration screen, then once more and got right in. And I’ve certainly never registered. Here’s the Google cache.
Here’s the WGA President response, and he actually doesn’t even address the points that Ridley made, but says, “When I was a producer in the 1960s, I hired blacks!” Ridley makes charges about how the Guild stifles dissent, but Pierce ignores it, but he makes sure to get the scab and parasite name-calling in.
Weird.
Last Night on Bill Maher, he had an interesting perspective:
That was…odd…coming from him. Looks like he’s experienced some of what Ridley wrote about.
“Odd” is one way of putting it. Mr. Maher has apparently described himself as a libertarian on occasion, and this may be a manifestation of that particular weirdness. Maybe he feels that corporations dictating paychecks is somehow less coercive than union negotiation. He’d need to fill in a few more blanks before I buy his argument that union solidarity is in any way analogous to Iraq critics being called unpatriotic.
On the other hand, maybe it’s just a cry for help.
Yeah, that might be true. In the rest of his speech he talked about how he supports unions and the writers in general, however.
I must admit I’m a little flummoxed as to why the “regulars” here have ignored this thread…
I’m not speaking from the POV of anyone working in entertainment in any meaningful way. Are you? And I don’t pretend to declare what unknown amorphous others believe.
If I thought they universally did and if I cared enough about the subject, I would. As it is, I think I’ll just contribute to this thread as I see fit.
But I didn’t read his comment as being about “union solidarity” at all. Bridget Burke used the same buzzword, and I guess I’m not sure what you guys mean by it. I read Bill Maher as objecting to the stifling of dissent: If you are a member critical of WGA’s actions, there is an expectation you stifle your opinion and remain silent so that the guild can support the illusion of a united front. I don’t consider that “solidarity,” so I didn’t hear Maher being critical of “solidarity.” So is that what is meant by “solidarity”? And if so why is that a good thing?
As I said, Maher would have to explain himself a bit more clearly in that regard. He doesn’t appear to be objecting to dissent being stifled among Writers’ Guild members. He’s complaining that his-- Bill Maher’s-- criticisms of the strike are being… something; he isn’t really clear what’s being done, is he?
Is Bill Maher a member of the WGA? He refers to the writers as “they,” and says: “So we’re not wrong to criticize it.” Who’s “we?”
Bill Maher is a member of the WGA. The “they” he was referring to was the leadership of the WGA, not the WGA in toto.
Okay, that makes a bit more sense to me then. From the way the quote was transcribed, I thought he was comparing external criticism of the strike to criticism of the Iraq war.
I’m still fuzzy on the analogy though. If the WGA leadership is the administration and the writers are the troops, then Maher is a soldier speaking out against the administration during the war, right? Who in this analogy represents the liberal war critics that were accused of not supporting the troops? I don’t recall the troops being accused of not supporting the troops. And Maher is a troop.
Well, good analogies are the life blood of good writing, anyway. The strike manifests itself in many ways, don’t it?
I think you’re stretching the analogy too far. Or maybe just reading it the wriong way. It’s more like the WGA is “America” in this analogy, the leadership is the “government” and dissenting members are the “citizens.”
Then who are the troops?
Also the members, I guess. It’s not a perfect analogy.
Brings to mind an old Peanuts weekly strip. Linus is saying to Lucy:
"Charlie Brown says that brothers and sisters can learn to get along…
"He says that they can get along the same way that adults get along…
"And adults can learn to get along the same way that nations get along…
“…At this point the analogy breaks down.”
God. Damned. Right.
Justin_Bailey, what do you do for a living? Do you support yourself? Got a family? Support them?
Stop it. Cold. Tomorrow morning, stop working for 10 weeks. Don’t make a move, don’t earn a dime. Whatever it is that you do, just hold off for 10 weeks.
Then prance in here and whine about a working woman’s efforts to be paid reasonably by the bloodsucking vampires that run the film industry.
Elenfair didn’t deserve a Pitting for standing up for herself, IMHO.
Cartooniverse, Union Camera Operator.
I am tired of this. THIS IS NOT ABOUT ME.
This isn’t even about Elenfair. Not once did I single her (or any other writer) out for scorn and ridicule. Not once did I make fun of her for not getting a paycheck from her TV writing (but as Elenfair said, she has other ways to make money, just not as much). I personally wish her the best of luck.
My problem is (and it always has been) with the Writer’s Guild. I believe this strike is misguided. I don’t believe a good portion of the propaganda they spew to the media. I think their flat out refusal to even recognize that this will piss off the viewing audience is stupid. I think their “closed shop” policies are the reason why more people don’t try to become writers.
I did not realize I was not allowed to disagree with a publicly striking union’s very public strike.
And yet, this thread has produced multiple of other people that disagree with the strike. And what do you know, they’re from writers. My opinions are not meant to harm anyone, they are disagreements with a strike I think is dumb.
If all unions disappeared tomorrow, I’d be a happy camper.
According to what John Ridley and Bill Maher have reported, you’re not.
Anyway, every single write-up I’ve seen about the DGA striking a deal yesterday makes it sound like the directors threw the writers under the bus. I haven’t seen all reports, obviously, but my understanding is that the WGA is pretty upset.