Me too!
I never got into that due to my low manual dexterity.
I snipped. But, I agee completely.
For a while, there were no comic book stores. You bought them at a newstand, a drugstore etc.
Then, there were stores devoted just to comic books and such. New comics and special events were advertised in the comics and in the stores. Some customers would ‘subscribe’ to certain titles. Mostly though, stores ordered based on perceived demand.
Then, in the early nineties or so, Advance Comics and Previews came up with a system where you could order comics and such months before they came out. Advance Comics only lasted a few years. Previews became the method through which any store would order anything that was national. If you could not get listed in Previews, you were basically screwed. At the same time, various companies (including some comic producers) started treating comics as a commodity to be invested in.Often, ads urged us not by a product not because it might be of high quality, fun to read etc but because it would be valuable one day. At this time, slightly different editions of trading cards or comic books were produced for the same reason. I mark this period as the beginning of the death spiral.
Things just got worse. A few companies tried shifting from paper editions to digital versions you could not downlioad, but only access by paying a monthly fee. At some point, the market for buying and selling comics that were actually rare and valuable changed. In order to get buyers interested and fetch a decent price, comics must first be ‘graded’ by a few approved companies. The process may require shipping the comic to them. I haven’t recently checked on what it costs to get a comic graded. It used to be at least $50. It was cheaper to buy a ‘trade paperback’ (a one volume collection of a mini series, or a single story arc from a longer series) than to buy all the individual issues. Companies realized this and began including things in trade paperbacks that were not in the original issues. While sometimes the ‘bonus material’ was not necessary to the story, sometimes it was.
Marvel also started advertising certain comic books as ‘optional extras’. While there are plenty of examples, the four issue Sentry mini series (no spoilers) stands out. There were four tie-in issues of Sensational Stories. They were fun, retro and indeed optional. I was getting worried halfway through issue four of The Sentry mini series. I just did not see how they could finish the story in the remaining pages. They could not. They had never intended to. Issue four ends with a caption that the climactic battle will occur in a special, one issue micro series.
Important deaths started being undone. Yes, nobody (especially Batman) thinks the Joker is actually dead just because he was repeatedly shot, hit by lightning, and fell of a cliff. But, certain deaths actually mattered. Cap’s friend and sidekick Bucky sacrificed himself to save lives while fighting the Nazi mad scientist, Baron Zemo. The second Robin, Jason Todd, had his life put to a vote. The fans chose death. So, the Joker beat him severely with a crowbar and then finished him off with an explosion. Whether you liked the characters or not, whether you agreed with the decision to kill them or not, they sent powerful messages.
Bucky was brought back as The Winter Soldier. I really hate that. Jason Todd somehow returned from the dead. I do not know details because I have never read the story and really don’t want to.
I could go on, but it is late. I am tired. I have probably gone on too long already.
I turned fifty last month. At this rate, I still expect to outlive the comic book industry. Some companies will continue to exist as owners of intelectual property. Movies, tv shows, toys, and other licensed products will be made. Paper editions will be phased out. Digital editions will follow. New characters or ideas will show up very rarely if at all.