When I heard Weezer’s new song Pork and Beans - I was hit with a strange feeling. Every now and then, you’ll get these odd feelings - it’s hard to describe exactly how they feel, but it’s somewhere in between deja-vous and having your head forcibly shoved into a box filled with dead eagles and ospreys. Am I getting closer? The first thing to come to my mind was, “pork” and “beans” are two absolutely hideous words, and there’s nothing pleasant about hearing them in a song, at all. The second was, Weezer has beaten the three-chord, guitar-sludge rhythm to far beyond a pulp. If it was a dead horse, it wouldn’t be a dead horse, but a horse-shaped indentation in the ground with some fur and bone fragments at the bottom.
Not only does it have a really horrible, forced bridge - as in, “uh, I guess we have to put a bridge in the song, so let’s change the chords now,” but the lyrics are something that a middle school kid would write.
Maybe that’s what Weezer’s appeal was all about to begin with, but it’s not working any more. Rivers Cuomo, have you given up all your motivation ever since marrying that hot Japanese woman? We all know that the driving force of rock and roll is pussy, and the more of it you have, the shittier your music tends to become. The best rock music is a desperate mating call - the worst is the comfortable humming of someone surrounded by cash and cunt.
Awful. Absolutely awful! “The Red Album.” Go stick it in your ear, Weezer.
Ugh. I’ve got a deadline for an article tomorrow for the phys-ed magazine I’m writing for, and it’s about this program to create a “scavenger hunt” to motivate college freshmen to become physically active, only the whole project is for some utterly bizarre reason shrouded in secrecy as if it were put together in Area 51. When I interviewed the woman in charge, it was like talking to a goddamn KGB agent on nitrous oxide - it was entertaining but I could hardly get any usable material for it. What is it about this program that is so cloak-and-dagger that they’re unable to “reveal” the details of it? I’m going to have to find some way of spinning this for the story, and it’s going to start with a few glasses of whiskey. Ah, writing.
Did you mean to post this seven years ago when after a five year wait we got 28 minutes of unimaginative new music? Or at least three years ago when the horrid Make Believe was released? Weezer has long ago changed classifications in my mind. Old classification: A great band with a couple of missteps. Now: A mediocre band with a couple of lucky flashes.
However, for the record, I like Pork and Beans. That and The Greatest Man Who Ever Lived sound like ye olde Weezer to me, so I dig 'em. No arguments on the rest of the Red Album though. Pee yoo.
I don’t fully understand the anger against Weezer. Sure, their first two albums were far better. But their new albums are still good, and it is pretty much the norm that bands get worse as they get older. Why not be equally outraged about Oasis and Smashing Pumpkins, for instance?
I’ve said it before, and I’ll say it again; Rivers is happy, and it shows through on Red. Nearly every song has a hopeful - if not uplifting - feel, and you can just tell that he’s in a different place as a person than he was when Make Believe was written. I stand by the album, as there are only a few tracks that don’t do much for me.
I wonder, have any of you heard the Limited Edition version? That’s the one I have, and I think “King” is the crown jewel of the album. Ah, well. YMMV