Allmusic.com has 658 entries for songs called “I Want You.” I’m sure a lot of those are duplicates, either covers of the same song or the same song showing up on different albums. But my brain can, on a moment’s notice, sing four compeletely different "I Want You"s: the ones by Bob Dylan, Elvis Costello, the Troggs, and the Beatles. (Which is technically “I Want You/She’s So Heavy,” but I say it still counts.)
Much as I love the Beatles, “I Want You” isn’t one of the reasons why. Bob Dylan’s “I Want You” is nice, but the least memorable of the ones I know. The Troggs’ version is nice and primal and growly. Good show, Troggs.
But my favorite is Elvis Costello’s. It’s one of the high points on Blood and Chocolate, one of his best albums. Each time I’ve seen him do it live, it brings the house to its feet with applausitory hosannas. Equally heaping spoonfuls of jealousy, desire, and anger percolate through his tawdry-clever lyrics: “it’s knowing that he knows you now after only guessing / It’s the thought of him undressing you or you undressing / I want you.”
It’s a song about infidelity called “I Want You.” Nice job, Elvis. Gives me shivers, it does.
I immediately thought of the Dylan one – indeed, I couldn’t place who sand it at first, but the riff was in my brain. I don’t guess I know the Costello one.
I Want You, I Need You, written by Harvey Brooks in 1933 for Mae West’s film “I’m No Angel.” (Harvey played piano for Paul Howard, one of LA’s premier black bandleaders.)
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