Why "Bombs over Baghdad?"

Okay, I love me some OutKast. Really, who doesn’t? With the release of Speakerboxxx / The Love Below, though, they made such huge strides that I’ve even heard rock stations playing “Hey Ya!” So that got me to go back and revisit the biggest musical mystery (to me, at least) of 2000. Why was it “Bombs Over Baghdad?” I’m willing to believe that Andre 3000 and Big Boi can do pretty much anything, but prescience is not something I’d previously ascribed to them. So, well, since it’s pretty sure that the song is not about Bush’s foreign policy, what is it about?

It starts with Dre, whose message seems to be encapsulated in the last three lines:

Which, okay, sure, we’re doing, like, a crunk song about livin’ in and gettin’ out of the ghetto, right? Every rap artist in the world has done these. I can deal with this. But then the chorus hits, and I’m totally thrown:

Uh, huh? What do bombs and Baghdad have to do with this song? Well, in steps Big Boi, and I vainly hope that he’ll shed some light on this song, but he seems more interested in rapping about how great OutKast is (and, really, I agree), which doesn’t tell me anything about Baghdad because they are, like he says, straight from the ATL.

Then the chorus hits again, but it’s followed by a second hook in which Dre and Big Boi repeat “Bob your head, rag top” and a choir repeats “Power music, electric revival!” which is so completely not something that any other rap artist in the world would consider putting in a song of theirs…

Anyway, so, uh, does anyone have any theories about this song? What is it all about, and what in the world does Baghdad have to do with it?

Yes, I do. I theorize that rap music sucks, and calling these morons ‘artists’ is a slap in the face to true talent.

That is all.

Thanks, that was helpful. Obviously, you’ve never listened to OutKast, for which you’re not to blame. You seem to have some taste, having named yourself after a Tool album. It’s just a shame that you would blanket an entire genre of music with an unsupportable opinion. However, please, feel free to completely fail to contribute to a different conversation.

‘B.O.B.’ is damn catchy, and ‘Hey Ya’ is doubly so!

How dare you call rap “music”. You insult musicians everwhere by using those two words in the same sentance. :wink:

I’ve got a Rolling Stone article written about Outkast after Stankonia was released. It’s this one, but I can’t get it to show more than half the article, so you probably won’t see the section I’m going to quote. However, this is taken from that article:

I’m not sure what the U.S. was doing at the time, but I have some dim memory of some low-key bombing raids on Iraq in the late 90s-early '00s. If so, it appears to be a critique of Clinton policy. Ironically, this year’s “shock and awe” seems to be more in line with this interpretation of B.O.B.

Despite this, Outkast were undoubtedly against the Iraq invasion of this year. They signed an ad petitioning against the war earlier in the year. This page gives us some more insight into the song, quoting an L.A. Times article:

The final quote helps to explain the “Power music/ Electric revival” line, as calling for musical dedication and creativity in the scene.

Because “Bullets over Broadway” was taken.

Huh. Thanks, gex gex! Very informative. I knew that Big Boi, at least, was not a fan of Bush from some of the raps on Speakerboxxx