I think she’s using a teleprompter for the spoken part (I understand that they’re quite inexpensive nowadays), but still - it’s one single take, with a fixed camera. Remarkable.
And I love her singing voice. I want to compare it to Karen Carpenter. It’s not as good (can anyone match?), but it’s… effortless and very smooth, the way KC sang. I’m certain it takes a lot of effort to make it that effortless.
Sure is. Delaney and Bonnie and Friends played it on their tour and released it as a B-side in 1969. In 1970 Rita Coolidge sang it on Joe Cocker’s Mad Dogs and Englishmen live album. The Carpenters did it in 1971.
The sales failure of the original record is the most notorious example of a record label torpedoing an artist out of sheer spite. And that’s a pretty damned high bar. Ullman saved the song from obscurity and at least secured some healthy songwriting royalties for MacColl.
According to the producer of that record (Liam Sternberg) McColl was refusing to sign a long term contract with Stiff Records. Despite reaching number 2 in radio airplay, Stiff didn’t press enough records to even put it on the UK sales charts.
The Wikipedia cite for that is:
Balls, Richard (2014). Be Stiff: the Stiff Records story. London: Soundcheck Books. pp. 178–180. ISBN 978-0-9575700-6-1.
In what sense is this a Wikipedia cite? This gives the title, author, publisher, date of publication, location of the publisher, and the pages of the book that are relevant. This allows you to find a source for claims about the relation between MacColl and Stiff Records. That’s nice, but it’s not a Wikipedia cite.