I occassionally have dreams where I play the part of Person Not Appearing In This Film. I’m some sort of omnipresent invisible cameraman for Dr. Trippy the director, watching the action and even thinking to myself, “God, this dialogue sucks,” and being unable to do anything about it. Last night was one of those. My excuse is the spicy chicken and onion dish I made for dinner. Yeah.
SO, anyway…
This kid is at a museum with his grandfather. He’s a typical Disney-style protagonist kid; a little odd, wears a necklace with Deep Meaning of some sort, unkempt black hair, a twinkle in his eye, good humored, that sort of thing. Ugh. I hate kids like that.
I don’t know what museum they’re at, but it has a space exhibit which includes a replica area of the surface of the moon (complete with flag!). Gramps is some sort of big shot, it appears, and Little Mikey (this is how I thought of him) is a space nut. Gramps gets permission for L.M. to go into the moon area for a bit. Then the big glass sliding doors slam shut and lock and Gramps turns out to be a villain who has rigged this thing up as a prison to keep L.M. out of his hair while he does some dastardly deed with the parents.
After Gramps leaves, L.M. manages to trick a dumb-witted guard into opening the doors, swings down from the cieling and through the doors (landing on his feet of course), and waves cheerfully at the guard as the doors slam shut again and lock the guard inside. Then L.M. scampers off, presumably to save the day. A closing shot shows his necklace glittering in the ‘lunar’ dust.
This segued somehow (I blame the writer) into a outer-space fight scene. Little Mikey is now Big Mikey (age approx. 17 or so), piloting a futuristic space taxi against the Evil Villains Lair. Yup, you guessed it, Grandpa was some sort of intergalactic ALIEN villain, which just makes things worse! Mikey’s had to wait all these long years for revenge, but now he’s going to find out what happened to his parents! (Why does my brain insist on torturing me with these hackneyed plots? Why!?)
Big Mikey manages to pancake the space taxi against the side of the orbital base, but that’s okay; he was wearing his seatbelt and spacesuit, so he’s okay. He climbs out of the wreckage, clumps across the hull until he finds an airlock (hssh-thunk, hssh-thunk – magnetic boots, dontcha know), and somehow convinces the airlock to open. He goes inside.
Scene change! Ooh, the writer was on some GOOD stuff. Big Mikey is now LITTLE Mikey again, wandering the space station and trying to find Evil Grandpa. He makes friends with HouseBot, the butler-robot (here I must point out that my brain, in a flash of twisted genius, gave the robot a bad attitude, a limp, and a cane! Arrgh!), and together to sally forth to destroy the Great Evil.
Production values started dropping at this point – HouseBot was there for some scenes but not for others; Little Mikey and Big Mikey were used as stand-ins for each other, that sort of thing. I’m guessing there were budget problems.
They finally confront Evil Grandpa in the stony tower (!? On a -space station-?!) and discover Nice Grandpa tied to a chair! Evil Grandpa was imitating him! Oh no!
Oh, and the parents are there too (poof – and yes, that’s how it happened).
Little Mikey whips up some magic with that necklace (hey, wait, didn’t he leave that in the moon room?), HouseBot defies his basic programming and tackles Evil Grandpa to prevent him from triggering the Death Ray (yes, it was labeled as such), and in a flash of bad special FX, the evil is vanquished. HouseBot is too badly damaged to live, so Little Mikey cries a bit and takes him home in case he can fix him. The End.
… so, yeah. No more late-night spicy dinners for me! Sheesh.