While thinking about this, I remembered a pretty good example of another show throwing a giant curveball at the audience and sending the fans into a confused tizzy.
The best previous comparison I can think of is Buffy the Vampire Slayer’s fifth-season opener. For most of the show, it’s a one-off, Buffy dealing with the one and only Dracula. And then at the very end, we meet Dawn, introduced as Buffy’s sister, as if she’s been there the whole time, though we’ve never seen her before.
And the fans rocked back on their couches and said: What the hell?
That week was a flurry of confusion and concern, as people wildly speculated about what could possibly be going on. Had Joss lost his ever-lovin’ mind? Were viewers just supposed to accept that Buffy had had a sister we’d never met for the first four seasons? Fans debated the possibilities, and tuned in the following week with a mixture of hope and trepidation: Man, we hope this goes someplace, we hope this doesn’t suck, we hope Joss has a plan.
And over the next couple of episodes, the master blueprint was slowly revealed, and people settled down. It took a little while, but most people would agree, I think, that the giant plot twist worked out pretty well, for the most part.
But it was an unknown, until those subsequent episodes revealed what Joss was up to.
We have the same thing here, I think. If there’s a clear plan, if there’s a strong new direction, this could be a brave decision for a fearless show. If there isn’t, if the next few episodes slosh and stumble while the writers cast about for ideas, then we’ll know that Ron got bored with the cat-and-mouse of the show up to this point and randomly steered the show into a blind alley with his fingers crossed that it would amount to something.
The only difference between Buffy and this is that we have to wait seven months to find out whether or not there’s a plan, instead of a couple of weeks.
–shaking fist– Damn you, Ron Moore…

