Gallo goes on the offensive after 'Bunny' flop

This Ebert article is pretty damn funny.

Here’s a bit. Click on the link for the entire article.

Let’s hope we can see it soon on MST3K. Ebert’s commentary is a riot and Vincent Gallo has lost any respect I had for him. One question: Why would Cannes allow such a crappy movie to get in? I mean, what are the criteria for admission to such a prestigious festival?

You left out the best line:

I love the last line of the quoted article, astro. It’s very funny.

That is hilarious. Oddly, despite all of the press, I still have no desire whatsoever to see “The Brown Bunny.”

I am so disappointed in Gallo. I really enjoyed Buffalo '66 and was looking forward to what he’d do next.

You know, I have to agree with that. I found mine enthralling, though I could have done without the surprise twist at the end.

Haha, that’s classic. :smiley:

Sure is classic. Winston Churchhill said it first. Although he used “drunk” instead of “fat.” I was sorta disappointed that Ebert couldn’t come up with something more original, especially after the colonoscopy joke.

Hmpf. I used to have a LOT of respect for Gallo; Buffalo '66 was a brilliant auteur film in the old style, with a coherent internal visual language that I’d never seen before or since (not to mention a trailer as good as the one for Delicatessen; either could stand alone as a short film), and even Palookaville, which was the first film in which I saw Gallo, had a weird kind of charm that I thought was totally overlooked. (Casting William-freaking-Forsythe as a 20something hipster turned out to be one of the most astonishingly great casting decisions I’ve ever seen.)

And he was great in Arizona Dream as well; the talent show scene in which he recreates Cary Grant in the cropduster sequence from North by Northwest was downright creepy, it was so spot-on.

And now that I’ve written my obsequy to Vincent Gallo…

To err is human; to make virulent, ad hominem slurs against professional critics who dare to criticize is to be a fuckup. And Vincent Gallo is now firmly in my list of fuckups.

Do you suppose he’s on dope or something?

I HAVE to see this film. Can it really be as bad as all that? Bad enough to become a cult classic?

Does anyone know how I can see this triumph of film?

It’s worse then you can possibly imagine. There is no way it will ever be a cult classic. EVER.

As far as being able to see it, do you mean in a theater or on video/DVD?

Because of the bloqjob scene, I’m sure it will get an NC-17 rating from the MPAA, which I have no problem with. However, an NC-17 means that it won’t be shown in any of the big megaplexes.

Your best bet would be to call up or go down to your local "arthouse theater and ask if they are going to be showing it. After they stop laughing, you might have to resort to begging, pleading, tears and actual bribery using real American money.

Or you could wait 3 months for it to come out on video/DVD. I’m sure there won’t be a stampede of people at Blockbuster waiting to see it.

Probably because Blockbuster doesn’t carry NC-17 films either.

I have not heard of anyone who wants to distribute the film; who would take the risk that enough people out there want to actually witness a freak-show/car-accident of a movie? Word of Mouth might well be death, and there are only a few major markets where it might be “safe” to have short runs of it. Still, you never know…

Surprise twist? Does that mean . . . no, I don’t want to think about it. :eek:

BTW, Gallo has now challenged Ebert to take a “public IQ test” with him.

People can get pretty nutty if you criticize their baby.

Interestingly, a number of Cannes-festival observers theorize that all of Gallo’s kafuffle is a calculated strategy to drum up interest in an unwatchable film.

Seriously, without looking anything up anywhere, can you name any three of the other movies that were in competition at Cannes last month? Can you name one besides Brown Bunny?