This was the only episode that opened with a beginning instead of an ending: little Willa Fisher, 2005 -
I would absolutely have written it the same way. If Claire’s just driving off to a new job, there’s a kind of security and familiarity there. But having the job cancelled, and having her go anyway makes it an act of some bravery – she’s going down the road to an unknown destination, as we all are. It’s time for her to really head out into the larger world. In a Prius.
Apparently Ted has pretty good taste in music after all; does anybody know the artist and song we heard at the end? I didn’t see a credit for it.
Rico’s rant seemed realistic to me; he was on the verge of getting his dream of his own business, when David pulled the rug out from under him. Very frustrating; I think I would have gone off too. Fortunately, it worked out, and there was nothing sinister about Rico and Vanessa celebrating.
All in all, a great finale. Life is messy, but things tend to work out in the end. Earlier in the season, I was sort of hoping everybody would go off a cliff in a bus because for a while everybody just seemed to be a miserable asshole. But the last few episodes got me to reconnect with the characters, so that at the end I realized I’d miss them. For that I credit both a great ensemble of actors, and Alan Ball (for the original conception of the show, even though a lot of the writing in the middle seasons was just tiresome). Really, great casting; not only fine actors, but believable as a family (anybody seeing Frances Conroy and Lauren Ambrose together might easily believe they’re mother and daughter).
I liked how Brenda’s and Claire’s imaginary versions of Nate became more positive and loving; they’re getting past the hardest stages of grief, leaving behind some of the anger and fear and holding on to the important things.
I found the flash-forwards sad but not depressing; all the characters had a lot to look back on, and had lived full lives. It’s not really important when and how we die; the years when we’re still moving around have infinite possibilities.
Didn’t David and Keith make a good-looking pair of grooms? (I was thinking that it was a real, legal wedding in the near future when California has adopted more enlightened laws.) It was great that Keith owned his own security company; also characteristic that even in his 60’s he’d still want to personally wear the uniform and do a risky job. In the later scene at the picnic, when David is in his 70s, I thought maybe the man next to him was his new partner, but in any case, Keith is clearly the love of his life. Those two actors had great chemistry together.
I’ve never liked Claire more than in this last episode. Lauren Ambrose brought such a combination of cynicism and vulnerability to the character; her wide-eyed gaze was open but not vapid. (Imagine if, say, Hillary Duff were cast in that part. Yikes.) Personally, I would have extended Claire’s life into the 22nd Century; I think a lot of people now in their twenties are going to live into the 2100’s.
It’s a shame we never found out what happened to Gabe. Maybe not.