My biggest problem with Wolverine was that he was kind of dopey. The way the script was written plus the way Jackman acted… wasn’t quite right.
To illustrate how Wolverine should be:
When Logan, Rogue, Bobby, and Pyro get onto the Blackbird in Boston: He storms in, demands to know who the hell Nightcrawler is, intimidates Nightcrawler before he ever pays him any more attention than that, and pretty much has everyone responding to him in a vaguely subservient way. Logan is a forceful personality.
Logan arrives at the mansion, Scott throws keys at him and Logan smirks ruefully? Logan should have had let it be known that Scott just did something stupid.
I think the scene should have played out with Scott coming down the stairs, getting Jean, and leading her away. The fact that he’d choose to do that instead of having a dick-waving moment with his rival would’ve framed Logan’s character in a much more powerful light.
I definitely thought Bobby should’ve been intimidated to meet him, considering how much Rogue cares for him, if not because of the stories she could tell about him. It didn’t seem right that Logan ignored the frosty handshake.
Something that really bothered me is after Logan’s eyes turn stone and he screams like an animal as he sticks the soldier to the fridge. He then turns quietly to Bobby and asks, “Are you alright?” Maybe he could turn the berzerker rage on and off, but adrenalin? I thought that anyone who’s been around fighters before/during/after a match would’ve heard a viciously hollered, “You okay?” that was more of a statement than a question.
And when Logan gets on the plane at the end, when Jean asks him if he’s alright, and he says, “I am now.” What the hell? The charisma of Logan’s character is that he’s a tortured individual. Logan takes one for the team, invalidates his life’s quest, and he’s perfectly adjusted to it? Maybe he should have said, “No.” then brusquely push past her.
Still, despite these things that struck me as dopey, I still enjoyed Wolverine and the movie. I was especially impressed by the cinematography, like when Stryker enters Cerebro at the mansion and when Mystique rises to her feet as the door to the spillway control centre is opening. There was also a shot of a large tunnel whose ceiling connected to other tunnels going diagonally. The characters ran through the main tunnel and green light was being cast down from the ceiling tunnels, leaving green spotlights on the bottom left of the main tunnel. It just struck me as such a strong visual and an amazing moment in cinematography for a live-action comic book.
Oh, I thought Jean’s death was kind of idiotic. Didn’t seem like there was really a team of capable super-heroes in the plane. I would have preferred to have them realize Jean was outside, the occupants of the plane rush to save her, she locks them in, tells them to take off, they keep trying to save her, Scott orders them to take off, they look at him, stunned, he replies something to indicate that he has all the confidence in the world that she can save them all and herself because she’s just that damn good, they accept this, take off, and Scott watches in horror as she dies. Then Logan could blame Scott, which provides an emotional hook to X3.
Still, one of the best damn action movies ever. Many times I thought Brian Singer was the right person to give insane amounts of money to for a movie. Everything was handled perfectly, so many plotlines were woven with precision; there were no threads that just trailed off, they were all dealt with; Pyro’s conversion was subtley done (most movies would’ve had his eyes flash with anger after being admonished by Xavier in the beginning, at which point the audience knows exactly what’s going to happen some time in the next two hours); moral ambiguity and strange bedfellows abound. Exciting, to boot.