I finally got around to seeing this crazy episode. It really was an excellent show, it was compelling and exciting, very well written and acted. It is possible one of the best hours of any Joss show, but I still can’t shake the feeling it was a bad idea.
This is assuming that this is the actual future for this continuity, also the the show will now continue from the present time point. Both of these seem to be the case.
I know this future jump thing is a storytelling technique that can be used very effectively, especially in a self contained story like in a book. I really just don’t like when TV shows take this approach for two very important reasons. The first is that it just scares me from a practical standpoint. I value continuity in a show like this, so a radical jump into the future makes it a little too easy for the writers to write themselves into a creative hole. I’m not doubting that these talented writers can make it all make some kind of sense, but now they have a distant point for the characters that will limit the decisions they make.
What if the story would be best served to kill of a character who we now know to be alive and well after the apocalypse? Sure they COULD do it, and we’d all have a little mystery to decode on how they are going to resurrect the character, but the point is they’ve now created hoops for themselves to jump through, obstacles in creating an organic and evolving narrative like TV shows are supposed to do.
Shows have to constantly create some kind of tension and suspense. Now that we know where the characters will be in 2019, the focus of that suspense will no longer be the “is this character going to die?” variety, it’ll be the “hey…how does this plot twist jive with the future I’m already aware of” sort. It will be super easy for the writers to fall on that old crutch of just introducing a slew of mini mysteries that they probably don’t even know the answer to yet. In other words, this show is in danger of becoming Lost. Or Heroes…ugh
I’m all for a twisty mythology and all, but Joss has never been about twistiness for twistiness sake, his stories are supposed to tell us something about ourselves, to explore the blacks and whites and grays of everything that is human. I can’t help but feel that this new stuff will be a distraction to that process.
Also in the practicality vein, what happens if (God forbid) one of the actors is unable to continue on the show? In order for the story to have any semblance of closure we need to see how we got from A to B. There are any number of things that could go wrong that would have been a simple matter of writing around before, but now threaten to unhinge the entire story. Especially consider how this show is always a threat of being canceled at any minute. Where Joss could have continued to work with a neat little package that could wrap up at any point, now he’s got a huge epic that in all likelihood he won’t be able to complete with any sort of satisfaction.
My second concern is just as a consumer of good fiction, the whole working backwards thing just ruins a lot of the suspense for me. This episode felt like I was halfway through a great book I was enjoying, then I skipped to one of the last chapters. Sure it was a great chapter, but I would have much rather gotten their organically and enjoyed the process.
I understand that this is where Joss wanted to end up with the concept anyway, it is the logical conclusion to the show’s premise. I also understand that part of the consideration in making it was so that we can see this awesomeness in a show whose future was uncertain. I just feel that it would have worked way better at a different time, even if it was hastily thrown in as a final episode after they got the inevitable cancellation notice. As it stands now, it just leaves me feeling a little empty inside.
Someone tell me I’m wrong or that I’m taking it too seriously, I concede both of those things are definite possibilities:)