I suspect the ring will be implausibly significant in the final resolution of the K.C. gang war.
The timeline for this episode is hinky, too. The newspaper dates show the war was raging from Jan. to at least early April 1951. But Satchel is still walking along with his dog, not having called home or hitchhiked or sneaked onto a bus to get back to his family. The serial killer nurse was hurriedly packing up to leave four months ago, but now we see her still in her apartment (and did they really need two plainclothes and three uniformed cops to finally bring her in on the arrest warrant?). And no one in the KCPD ballistics lab ever figured out that the young female fugitive and the deputy U.S. marshal were both shot with OCD cop’s gun?
I did like the gangster Happy Holloway looking at pictures of two of his ancestors (his grandfathers?), otherwise carried by a flunky, before deciding what to do.
Good to learn more about the ghost, the late slave-ship Capt. Theodore Roach. Far from a curse, though, he seems to have protected the sleeping schoolgirl from the murderous nurse.
So the big Italian thug kills OCD cop (who drops his own gun where he can’t reach it - d’oh!) before accidentally tripping, falling, shooting and killing himself (there’s a very similar incident in the Elmore Leonard book Out of Sight, and the George Clooney/J-Lo movie based on it). And I don’t know about you, but I really didn’t need to see the top of his head slide off and the brains ooze out. Bleccccch.
I would’ve thought 1951 was too early for a microfilm reader in a public library, but I guess they had 'em then.
Here’s the painting in Chris Rock’s office, BTW: Exécution sans jugement sous les rois maures de Grenade - Henri Regnault | Musée d'Orsay.
Best line of the show: "You take your hands off me. Police! Police!"
“Ma’am, we are the police.”
Also loved the schoolgirl’s question to Rock, “Is that what you see?” Great callback to last season.
Just one more episode to go.