Michael Kamen was, of course, the late renowned orchestrator/arranger. He did the devastatingly beautiful string arrangement on “Moments of Pleasure” (The Red Shoes, 1993).
Yes, 1993. We’ve been waiting just over eleven years now. Let’s hope there are no further delays!
I know. I remember waiting for HMV to open the day TRS was supposed to have been released, only to find out that it had been pushed back a month. I was at least able to buy the CD single of “Rubberband Girl / Big Stripey Lie”, but still…
Apparently, the pre-Prince version of “Why Should I Love You” was gorgeous.
Anyway, there’s no chance KaTe will ever tour again, especially now that she has a son.
Obviously wishful thinking on my part, but she might tour for this one.
With reunion bands selling out venues (The Pixies come to mind), she - and her record company - may just want to do some shows over here: I really can’t see her doing more than a few shows in NYC, LA, Toronto, and maybe Chicago. And it’s been a long time since she’s performed in the US.
Like I said, probably just wishful thinking on my part.
Yeah, I’ll believe it when I have it in my hand, put it in the CD player, and her voice comes out.
Not performing, right? She must have been still promoting (via interviews) The Sensual World. I’ll bet Kate LOVED Vancouver.
I can at least say I saw her sing live before I die. My husband and I went to London for a fan convention (excuse me, KonvenTion) in 1990. Kate (excuse me, KaTe) was there and sang a short little “thank you” song. You could hear a pin drop. People could not they were hearing her sing in person. A treasured memory.
Kate isn’t afraid to fly, it hurts her inner ear. That’s why she used to fly the much faster Concorde whenever she came to North America to promote albums. Since the Concorde is no more, she’ll either come by boat or more likely, because I’m a pessimist, not at all.
Yeah, I know what you mean. Happy Rhodes is mine, especially when she uses her very Kate-like high voice. She’s her own artist, and doesn’t always use it, but it’s quite striking when she does.
I’d never heard of her and one of my step-kids brought home a greatest hits tape of hers. I don’t recall the names of the songs, but a couple of them made me burst out in tears. Every time I listed to the tape, I’d end of sitting there sobbing. I’ll have to watch for the new release, I could use a good cry!
This appears to be a good time to drag out the link in which a fellow Love-Hound quite deliciously explains the origins and meaning behind “The Ninth Wave,” or Side 2 of “Hounds of Love.” It’s absolutely fascinating. … OK, well, Preview shows I can’t get it together with the link. So Google Kate Bush and Fastnet.
Actually, it appears a good time for some to explain this “K” and “T” business. As in “KaTe” and “KonvenTion”. I’m a lifelong Kate Bush fan, but have never joined a club or mailing list about it, only listen to the music lots and don’t know what that is all about.
After EMI signed her, they gave her a year to “grow up” a bit: practice dance, work on her voice, and get some experience performing. A band was quickly cobbled together, and they played gigs in London pubs, including some rather rough-and-tumble ones where Kate always won over the audience.
The band was called the KT Bush Band.
Later a symbol, made up of a stylized K and T in a circle, started appearing in Kate Bush Club fanzines, among other things.
A bit of trivia: hidden in the artwork or picture on every album cover is a “KT”. Both letters share the vertical stroke. You can find the answers to where they’re hidden on a few websites.