With the finale of So You Think You Can Dance (SYTYCD) upon us, and with the departure of Paula Abdul from American Idol, this seemed like a good time to put down some thoughts that have been rattling around my brain recently. Yes, I have too much time on my hands.
It’s only natural to compare the two shows: they’re produced by the same company. In the words of Executive Producer Nigel Lythgoe, SYTYCD was conceived as “American Idol of dance.” They have roughly the same format and same goal – amateurs perform; America votes; somebody gets eliminated until your favorite singer/dancer is crowned. But they are so different in style that it’s worth comparing the two – and I think AI could take some notes from its little brother.
Format
A subtle difference, but an important one. In AI, viewers are in complete control. Their votes are the sole determination of who gets eliminated each week. In SYTYCD, votes determine the ranking, but the judges eliminate one pair of dancers from the bottom 3 (until we reach the last few shows, when the judges lose this power, and votes are the sole determination of who gets eliminated). The SYTYCD judges can’t completely prevent a Sanjaya-like travesty (unless that unfortunate person wound up in the bottom 3), but the SYTYCD judges do have more power to shape the final group of contestants.
AI has “theme weeks”. SYTYCD randomly assigns dance styles to couples. In theory, this forces both singers and dancers to be versatile; but it works better on SYTYCD. Singers have more ability to bend the theme to suit their own style, whereas there’s no way to bend a waltz to make it hip-hop.
Hype
No comparison. AI is a monster. The contestants get on magazine covers. We get into flame wars about whether a contestant is getting votes because of their religious background, or in spite of their sexual preference. The stakes are higher – an AI contestant has a good chance at becoming rich and famous (Carrie Underwood), although they could very well be quickly forgotten (Taylor Hicks). The dancers on SYTYCD are anonymous before, during and after the show. Their highest hope is that they rise to the level of fame of a Louis Van Amstel or Cheryl Burke – and if you’re saying “who?”, that’s exactly my point.
So this is like comparing the NFL to Pop Warner football. But it would be Pop Warner football played by kids with NFL-level talent: just incredibly talented kids. having fun.
There’s no product placement on SYTYCD. The contestants aren’t forced to film cute commercials for Ford each week. The judges aren’t required to drink from Coke cups.
Contestants
Perhaps because of the absence of hype and the lower stakes, the dancers seem to be having more fun than the singers. They also always dance in pairs, so they naturally bond. (This is purely my own impression, of course). It would be interesting to imagine an AI where the singers only performed in duets or group numbers.
And because of their anonymity, somehow their personalities matter less. No dancers ever seem to grate. They never talk back to the judges. We know virtually nothing of their personal life – probably half of them are gay, and nobody cares.
Behind the Scenes
This is largely based on the difference between singing and dancing, so comparisons may be unfair. Too bad.
AI has singers and judges. SYTYCD has a third, vital component: the choreographer. The dancers are largely being judged on how well they execute the choreographer’s vision (very rarely, the judges will find fault in the choreography rather than the execution).
In AI, there are probably equivalent people backstage: vocal coaches and arrangers. They are kept completely and totally under wraps. We are led to believe that the singers are entirely responsible for the package of their performance, and so they get too much credit and too much blame for all aspects of that performance.
AI does have a completely useless feature, called the “celebrity mentor”. The mentor is almost always effusive in their praise of the contestant, provides little meaningful feedback, and sometimes is just there to plug their new album (coughmariahcarey)
Hosts
Both hosts are serviceable. Cat Deeley just loves everybody and wishes they could all win, and never banters with the judges, other than to toss from one to the next. Ryan Seacrest apparently sees his role as foil to Simon Cowell, unfortunately, which leads to my next point…
Judges
AI has built a cult of personality around its judges – witness the (mercifully) short-lived spotlit staircase entrance of the judges last season. The SYTYCD judges are relatively modest – one of the 3 spots is not even permanent but instead rotates among 3 or 4 alternates.
If Mary Murphy had left SYTYCD yesterday, would it have made the 11 o’clock news? Don’t think so.
There is no designated contrarian on SYTYCD – no one for the audience to boo. More often than not, all 3 dance judges see the same flaws, and the same greatness, in a given routine.
Judging
The SYTYCD judges are all former dancers and/or choreographers. As a result, their criticism is pointed and precise: they comment on footwork, heel leads, holds, lines, posture (along with more general impressions about passion and feeling). The AI judges are a bass player, a company executive, a songwriter, and a dancer who can sing a little. Their criticism tends to be more “didn’t feel it” “it was just a’ight”, “you rocked it”, “karaoke”, “cruise-ship”, and whatever gibberish comes out of Paula. The most technical criticism ever leveled: “pitchy”.
Again, singing is different from dancing. But each dance is a new creation, judged on its own merits. You never hear a SYTYCD judge say that a performance paled in comparison to something similar that Gwen Verdon did But a vocal performance is *always *compared to the original –it doesn’t need to be that way, but that’s what the AI judges do. Sometimes it’s a good thing (“you MADE IT YOUR OWN! WOO!”) sometimes not (“karaoke”, or “that song was too big for you” “Never do Stevie/Whitney”). .
Conclusion: I enjoy SYTYCD; I watch AI out of habit, but would enjoy it more if it was more like it’s dance counterpart.